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“... on, but then skirts. The historical novel – if we except its one great precursor, Kleist’s Michael Kohlhaas – is a product of romantic nationalism. This is as true of Tolstoy as it is of Scott, Cooper, Manzoni, Galdós, Jókai, Sienkiewicz or so many others. The original matrix of this nationalism was the European reaction against Napoleonic ...”

“... whether in philosophy (Wittgenstein, Heidegger, Derrida, Foucault, Habermas, Levinas), history (Bloch, Braudel, Hobsbawm, Needham, Elliott), sociology (Mosca, Pareto, Weber, Simmel, Mann), anthropology (Mauss, Lévi-Strauss, Dumont, Malinowski, Evans-Pritchard) or literary studies (Bakhtin, de Man, Barthes). All these foundational figures are European. The ...”

“... the Germans were in full murder mode. Historical information and interpretation, based largely on Michael Marrus and Robert Paxton’s Vichy France and the Jews, have also been added. The 2503 photographs themselves: these have been reproduced from identity cards and gravestones, from formal studio portraits and intimate snapshots, from school, camp and ...”

“... power? Runciman is not alone in thinking they can. The same assumption can be found in the work of Michael Mann, of which Runciman has been a severe critic, but whose scale and focus invite comparison. The common source of this bias is Weber – the dominant influence on this cohort of British sociologists. Fixation with power has, of course, gone much further ...”

“... they figure as the small change of fashionable causerie, where regular misattributions – by Bloch, Mme de Cambremer, the duc et duchesse de Guermantes – show up the ignorance of the smart, or would-be smart, world; or self-corroboratory, as when the narrator invokes Baudelaire to touch up his already lyrical description of the sea, or Chateaubriand to ...”