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Timothy Shenk: Loyalty to Marx, 29 June 2017

Karl Marx: Greatness and Illusion 
by Gareth Stedman Jones.
Penguin, 768 pp., £14.99, May 2017, 978 0 14 102480 6
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... ambitions. They looked abroad, especially to the Continent and the likes of Lukács, Gramsci and Althusser, for remedies against what they saw as the tired empiricism and little Englandism of their predecessors. The aim, Stedman Jones explained in 1971, was to develop Marxism as both ‘a revolutionary political ideology’ and ‘an infant science ...

Hitchcocko-Hawksien

Christopher Prendergast, 5 June 1997

Projections 7 
edited by John Boorman and Walter Donohue.
Faber, 308 pp., £11.99, April 1997, 0 571 19033 2
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Cahiers du cinema. Vol. I: The Fifties. Neo-Realism, Hollywood, New Wave 
edited by Jim Hillier.
Routledge, 312 pp., £65, September 1996, 0 415 15105 8
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Cahiers du cinema. Vol. II: The Sixties. New Wave, New Cinema, Re-evaluating Hollywood 
edited by Jim Hillier.
Routledge, 363 pp., £65, September 1996, 0 415 15106 6
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Cahiers du cinema. Vol. III: 1969-72. The Politics of Representation 
edited by Nick Browne.
Routledge, 352 pp., £65, September 1996, 0 415 02987 2
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... Cinema thus became inseparable from ideology – a tendency reflected in Jean-Louis Comolli and Jean Narboni’s quasi-manifesto ‘Cinema/Ideology/Criucism’, and inspired in large measure by the work of Althusser. The overarching concept, which was to become the trademark of Cahiers thinking in the ...

Train Loads of Ammunition

Philip Horne, 1 August 1985

Immoral Memories 
by Sergei Eisenstein, translated by Herbert Marshall.
Peter Owen, 292 pp., £20, June 1985, 0 7206 0650 0
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A Certain Tendency of the Hollywood Cinema: 1930-1980 
by Robert Ray.
Princeton, 409 pp., £48.50, June 1985, 0 691 04727 8
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Suspects 
by David Thomson.
Secker, 274 pp., £8.95, May 1985, 0 436 52014 1
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Cahiers du Cinéma. Vol. I: The 1950s. Neo-Realism, Hollywood, New Wave 
edited by Jim Hillier.
Routledge with the British Film Institute, 312 pp., £16.95, March 1985, 0 7100 9620 8
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... Hollywood reactionary philistinism, a quantity of which its incarnation, the Russian-born MGM boss Louis B. Mayer, gives us a mouthful twenty years later, reported in Lilian Ross’s Picture. Mayer’s colourful words come from a more embattled epoch; at the time of McCarthy it’s inconceivable that any Soviet director should have been given a Hollywood ...
Adventures on the Freedom Road: The French Intellectuals in the 20th Century 
by Bernard-Henri Lévy, translated by Richard Veasey.
Harvill, 434 pp., £20, December 1995, 1 86046 035 6
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The Imaginary Jew 
by Alain Finkielkraut, translated by Kevin O’Neill and David Suchoff.
Nebraska, 230 pp., £23.95, August 1994, 0 8032 1987 3
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The Defeat of the Mind 
by Alain Finkielkraut, translated by Judith Friedlander.
Columbia, 165 pp., $15, May 1996, 0 231 08023 9
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... humaines within academe: among intellectuals, even the philosopher became less of an écrivain – Althusser entered literature only posthumously, with his autobiography. Foucault, and especially Derrida, though they philosophise about writing, do not write literature; neither showed any sign of wanting to be a novelist, playwright or poet. This is a major ...

L’Emmerdeur

Douglas Johnson, 20 May 1982

La Cérémonie des Adieux 
by Simone de Beauvoir.
Gallimard, 559 pp., £9.25, November 1981
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Mes Années Sartre 
by Georges Michel.
Hachette, 217 pp., £6.15
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Oeuvres Romanesques 
by Jean-Paul Sartre, edited by Michel Contat and Michel Rybalka.
Bibliothèque de la Pléiade, 2174 pp., £22.50, January 1982
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... his intelligence, honesty, courage and vitality. The comparison with Voltaire was common (although Althusser preferred to compare him to Rousseau), and it was generally assumed that he had been a uniquely important figure in the culture of 20th-century France. This desire to protect the reputation and image of someone who is now accepted as a national figure ...

Cheerfully Chopping up the World

Michael Wood: Film theory, 2 July 1998

The Material Ghost: Films and Their Medium 
by Gilberto Perez.
Johns Hopkins, 466 pp., £25, April 1998, 0 8018 5673 6
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On the History of Film Style 
by David Bordwell.
Harvard, 322 pp., £39.95, February 1998, 0 674 63428 4
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Gilles Deleuze's Time Machine 
by D.N. Rodowick.
Duke, 260 pp., £46.95, October 1997, 0 8223 1962 4
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The Aesthetics and Psychology of the Cinema 
by Jean Mitry, translated by Christopher King.
Athlone, 405 pp., £45, February 1998, 0 485 30084 2
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Signs and Meaning in the Cinema 
by Peter Wollen.
BFI, 188 pp., £40, May 1998, 0 85170 646 0
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... this didn’t stop people from theorising. ‘Film academics who began to purge their shelves of Althusser and Lacan did not all hurry to the library to crank through microfilm. The empty shelf-space was quickly packed with works by Foucault and the Frankfurt School.’ Bordwell is not against all theory, of course, but the theory he likes is pretty much ...

Frameworks of Comparison

Benedict Anderson, 21 January 2016

... a massive importing of translated works by key Marxists beyond the Channel: Sartre, Merleau-Ponty, Althusser, Debray, Adorno, Benjamin, Habermas, Bobbio and many others; and 2) making NLR as internationalist as possible in the problems it addressed. From 1974 I started to read NLR from cover to cover and was profoundly re-educated in the process. Here I came ...

Confronting Defeat

Perry Anderson: Hobsbawm’s Histories, 17 October 2002

... would have thought to see the Congress of Vienna praised as sensible and realistic, or expected Louis Napoleon to receive more favourable treatment than Proudhon or Bakunin? If the three Ages enjoy a well-nigh universal admiration, they have attracted less critical discussion than they deserve, as often happens in such cases. This is partly a matter of the ...

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