Search Results

“... There is a hint of Thatcherism about this New History, with its queer fondness for dates. For Number Ten it was, wearing her metahistorian’s hat, who recently ordered dates back into the curriculum, as the sine qua non of history. But surely not of literary history, which is parsimonious over dates, save where it measures out for us the life-spans of authors ...”

“... Sartre had a passive, self-centred war, well-suited to his deeply civilian temper, with no heroics and a great deal of free time. He was mobilised in September 1939, served in the East of France until he was captured in the collapse of June 1940, spent nine months as a prisoner of war, then sat out the Occupation in Paris. No matter where he was, he wrote, abundantly – in the field, in the prison-camp and in occupied Paris ...”

“... governess, Miss Tink. Miss Tink, for all the monosyllabic innocence of her name, had a bad cousin, John, who may well also have influenced the child Borges, because he was one of the street-corner ‘hoodlums’ who later fascinated him, partly for being so brave as well as bad, when they fought, and partly because he saw them as ideal compendia of the local ...”

“... time himself) and Despair, both appeared here in 1936–7 on the list of the Hutchinson-owned John Long, where, writes the betrayed novelist, who has presumably been copytasting the books issuing from that too genteel imprint, Despair can only have stood out ‘like a rhinoceros in a world of humming birds’. These are promisingly sane, resolute letters ...”

“... all there were to go on were the few personal remarks about his ‘charm’ and ‘modesty’ that John Chadwick felt able to include in The Decipherment of Linear B (a book first published in 1958 and reprinted many times since). Chadwick was a Cambridge philologist, a specialist in the history of ancient Greek, who collaborated with Ventris on the closing ...”

“... It is all but thirty-five years since Albert Camus was killed, when the Facel Vega sports car in which he was a passenger went off the road between Sens and Paris. Among his things was found Le Premier homme, the manuscript he had been working on for nearly a year at the time of the accident and on which there was still some way to go. Only now are we given it to read ...”

“... What should a man famous for having wished the Author dead wish for himself once he becomes a dead author? To leave no trace behind would seem right. But if Roland Barthes was hostile to the neighbourly image of the Author as an extra-textual being, he took pleasure in the thought of himself returning as a biographical subject (i.e. object) once he was dead ...”

“... Cape Y2K once safely rounded, and we shall be faced in short order by 2002, a date that stands suggestively out to the numerological eye as a palindrome. We’re allowed only one of these amphisbaenic years per century, though we lived through the last of them a bare eight-some ago, in 1991. Lived through it and failed for sure to spare it a glance ...”

“... As English cricket’s first, and permanent, icon, W.G. Grace was a pair of inseparable initials – two doors down from that other High Victorian celebrity, ‘W.E.’ – and a ruling presence on the field of play, the muscular and assertive embodiment of the game in the years of its benign colonisation of the nation’s summers. The physique that famously sustained him was in truth a luxury: Grace was stronger than there was any call for a cricketer to be, ready to go off when young to run hurdle races between innings, and still up to bowling 75 overs in the match at the age of 50 (he was captain, and didn’t think of taking himself off ...”

“... The Siren’s Song is the first chance English readers have had to experience Maurice Blanchot. If it is the case, as Gabriel Josipovici pre-emptively asserts in his introduction, that Blanchot ‘is, with Walter Benjamin, the finest literary critic of the century’, then we have been grievously remiss in leaving him for so long untranslated. For Blanchot isn’t new: he is in his mid-seventies, he has been writing criticism for forty years, he has published 15 books and he is, in France, an undoubted star ...”

“... With Chomsky seemingly off the stage – exit left, the script reads, brooding on the sins of American foreign policy – it is now or never for Ferdinand de Saussure to take his place. One theorist of language at a time is probably all the popular awareness has room for, and over the past twenty years Chomsky has been it, investing grammar with a new, deep-seated charm, and bringing us to see language as a mysterious acquisition which does our species, and our brains, much credit ...”

“... Don Bradman did poorly by me in my youth: all I saw of him was his parting Oval duck in 1948, the most untimely nought in the history of cricket. It came on the first day of the fifth and last Test, with Australia three-nothing up, so whether our own side won or lost made small difference and we could watch the game as dilettantes instead of partisans, hoping that Bradman would bat, as he nearly always had, lavishly, or even brutally ...”

“... Way back in the pre-theoretical Fifties, a journalist called Ivor Brown used to have elementary fun at the expense of a serial intruder on our insular peace of mind, a bacillus known as the LFF, or Latest Foreign Fraud. By this he meant any thinker from abroad (Paris, nine times out of ten) whose alembicated ideas were being taken up with more excitement than he thought they – or, I daresay, any ideas – were worth ...”

“... If Balzac had had his way, the real Paris would have become a little more like the visionary Paris of his novels. He thought a spiral staircase should be built, leading down from the Luxembourg Gardens into the catacombs, whose verminous labyrinth stretched from there indiscriminately beneath the plush hôtels of the Faubourg Saint-Germain and the slums of the Faubourg Saint-Marceau ...”

“... In the spring of 1920 Marcel Proust was fretting because the good ‘Gaston’ (Gallimard, his post-war publisher) had been unforgivably slow in arranging for translations of his now successful novel to be started. In the past 12 months Du Côté de chez Swann had been published for a second time (the little-noticed earlier edition was in 1913) and A l’Ombre des Jeunes Filles en Fleurs for the first time; and Proust had, strangely, won the Prix Goncourt, a corrupt award which he had wanted but which generally goes to works of uncomplicated mediocrity ...”