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“... In his unfortunate account of a Ter Borch brothel scene, Goethe earnestly identifies the leering john as a ‘noble, knightly father’ admonishing his wayward but honourable daughter (the prostitute). The pale mother, he explains, is sipping a glass of wine because she is delicate, and wishes to hide her slight embarrassment: she is, in fact, the procuress, depicted so as to suggest alcoholism and possibly a touch of syphilis ...”

“... about middle-aged women suffering. They were Moore’s The Lonely Passion of Judith Hearne (1955), John McGahern’s The Barracks (1961) and Aidan Higgins’s Langrishe, Go Down (1966). It is no coincidence, either, that the best novels about men in the period after independence dealt with figures in extreme and exquisite isolation, as in the novels of Beckett ...”

“... Selby and McCruiskeen: fantastic, jaunty and terrifying. And yet O’Nolan is not without issue. John Banville’s most recent novel, The Book of Evidence, catches unmistakably the voice and fate of the unnamed narrator of The Third Policeman. Both are murderers, laconic, fastidious, their imaginations stunned. Both find themselves in ‘a queer ...”

“... turned up in 1974, and kept Christopher both amused and busy translating his poetry into English. John Silber, who later became a reactionary megalomaniac (first as president of Boston University and then as failed gubernatorial candidate), was at that point a brilliant and progressive dean of the College of Arts and Sciences, also brought in by Ransom. The ...”

“... X when he ghosted his autobiography? To what extent did Ted Sorensen create the verbal manner of John F. Kennedy when he wrote Profiles in Courage, a book for which the future president won the Pulitzer Prize? And are the science fiction stories H.P. Lovecraft ghosted for Harry Houdini not the best things he ever wrote? There would be a touch of all this in ...”

“... show Roussel using ‘rhyme as the crucial first stage in originating his poetry’. (Théodore de Banville, a fellow Lemerre author, had asserted in his Short Treatise on French Poetry, 1872, that rhyme is the essence of poetry: ‘rhyme is the only harmony of verses and it is the whole verse.’) The effort to achieve perfection in verse proved just as ...”