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“... the Alamein dinner, to which I looked forward with keener and keener anticipation. Indeed, like John Osborne waiting for Max Miller to come on stage in whatever provincial repertory theatre it was that he had sought him out, I found that I began to laugh before the Field-Marshal rose to speak and that while he was speaking I was reduced to tears by the ...”

“... each one of them. This was surely Gracie and Rosie’s position in their shared body. Lord Justice Brooke argued that the intention was to kill Rosie in order to avoid a greater evil, the death of both children. He was therefore obliged to invoke the doctrine of ‘necessity’, that harm must sometimes be done to avoid a greater evil, although he was well ...”

“... Allied expedition to the Dardanelles,’ this would not be the result of any literary work. Rupert Brooke, setting out to fight at Gallipoli, died before he ever got there. One of Siegfried Sassoon’s brothers was killed in action there, but Sassoon himself went to France. Sir Compton Mackenzie’s Gallipoli Memories (1929) hardly ranks alongside Goodbye to ...”

“... to place on record their sense of admiration for the dignity and courage displayed by Mr and Mrs John Profumo and their family in the quarter-century since the episode occurred. ‘This letter,’ they continued, ‘also records our feelings that it is now appropriate to consign the episode to history.’ It was an odd letter and I would be surprised if Lord ...”

“... It was very unfair to those young men.’ John Henry Newman’s conversion to the Roman Catholic Church in 1845 shattered the intellectual credit of the Oxford Movement. The long struggle – first from the pulpit of the University Church of St Mary, later through the radical pages of Tracts for the Times – to state the case for the Apostolic authority of the Anglican church had ended, as the Movement’s critics had always predicted, in total surrender to Catholic dogma ...”

“... Watson calls attention to the statement, in the biography of the politician by Namier and John Brooke, that Townshend needed his wit to shield a poverty of heart. This might be held to be like Lovelace, and in each case the wit is very brilliant. Each is a paragon in this respect. And Townshend was also known for his easy success with women. In ...”

“... In her recent collection Stories, Theories and Things, Christine Brooke-Rose was casting around for a generic term under which to classify such diverse novels as Midnight’s Children, Terra Nostra and Dictionary of the Khazars, and came up with ‘palimpsest history’. What all of these books have in common is their interest in the recreation of a national history: a history which, in each case, has been erased or fragmented, subsumed beneath layers of interpretation, forgetting, writing and rewriting ...”

“... than to elaborate principle into theory. His comprehension of Areo-pagitica, ‘a speech of Mr John Milton, for the liberty of unlicensed printing’, is profound in the immediacy with which it arrives at the principles at issue: The danger of such unbounded liberty, and the danger of bounding it, have produced a problem in the science of ...”

“... separable. Writers – Sir Thomas More, Sir Walter Ralegh, Samuel Daniel, Ben Jonson, Thomas May, John Milton, Andrew Marvell and many more – moved between history and poetry or drama, finding in them complementary means of instilling virtue and wisdom and influencing events. History, which was seen as a branch not only of scholarship but of rhetoric and of ...”

“... thirty pounds a year and keep. As in all the best autobiographies, from Edmund Gosse to Jocelyn Brooke, the flavour of personal experience is exactly caught. All silvery on frosty Sunday nights Were City steeples white against the stars. And narrowly the chasms wound between Italianate counting-houses, Roman banks, To this church and to that. Huge ...”

“... is indirect and mostly unconscious. Sociologists do not seem to see it as oppressive. Rosalind Brooke’s rapid account ‘for students of social policy’ says nothing of this aspect, though something of virtually every other. Despite the voluminous references, students will learn little of law from it unless they already know a great deal. The so-called ...”

“... eyed askance or turned askew. Like Dedalus in the Irish National Library, trying to impress A.E., John Eglinton and Mr Best with his theory of Hamlet, the narrator of Nothing Like the Sun throws in lots of local colour, freely kitsched with quasi-Elizabethan compounds and archaic turns of phrase. Moreover, following Dedalus’s example in Ulysses, Burgess ...”

“... Auden, from Thomas Hardy to T.S. Eliot, not to speak of confrères such as Edward Thomas, Rupert Brooke and Henry Newbolt. Ezra Pound, although savage in his denunciation of the use of idioms or phrases such as ‘dim lands of peace’ – locutions that abound in de la Mare – still found that on occasion volumes such as Peacock Pie or The Listeners truly ...”

“... back to writers who are in the Oxford Companion, Waugh, Betjeman, Anthony Powell and Jocelyn Brooke. I’m not sure that any other critic is capable of enthusing, in one long breath, about Brooke and David Peace (author of a tersely written novel sequence from the era of Peter Sutcliffe, the Yorkshire Ripper). Nobody ...”

“... of his father, whose waiting-room was constantly crowded with supplicants for his services. As John Juxon suggests, the elder Lewis could have served as a model for the abrasive Mr Jaggers in Great Expectations, who suspended his moral judgment when dealing with his greasy, grimy riffraff of clients – cracksmen, fences, thieves – and then, in ...”