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“... rounds that he might be restrained by an ‘axis of adults’: Tillerson, as secretary of state; James Mattis, as secretary of defence; and John Kelly, Trump’s chief of staff. Bolton wants to place himself outside this particular axis. He blames his colleagues for the administration’s chaotic lack of process, and for ...”

“... a private language, a customised slang: The Unusual Life of Tristan Smith and True History of the Kelly Gang are examples of that Joycean urge, the latter stupendously so. In Theft, proper names are always losing their integrity, and being privatised by the narrator. Michael’s father’s shop, Boones Butchers, was once vandalised into ‘Bones ...”

“... his critical judgments on the films are tendentious, his lengthy comparisons of Hitchcock with James, Dowson, Chesterton, Poe and Hieronymus Bosch can be left unread, and his accounts of cultural history are often laughable (‘Artists and writers and even the man in the street admitted that moral values were certainly changing very quickly, and some ...”

“... house in the International Settlement, with a bathroom for every bedroom and ten servants. James and Edna’s social life seems to have consisted of the grim expat cliché of endless rounds of bridge and too much gin. Their lives hardly intersected with those of Shanghai’s millions of Chinese inhabitants. Ballard’s attempts to befriend the son of ...”

“... typical female role model of the conformist period was June Allyson, pouting loyally at home while James Stewart, camped out in the Mojave Desert, manfully concerned himself with the creation of the Strategic Air Command – a theme that took advantage of the B-36’s capacity to fill the Cinemascope screen. The letterbox format was less suited to June ...”

“... I don’t believe this country has a better writer to offer than James Buchan. I can’t think of anyone who concedes so much of his own intelligence to his protagonists – doesn’t mock or belittle them – and gives them so much world to do battle with. I see no particular limitation to his scope or style: his stunningly curt dialogues and ravishing recitatives are equally persuasive ...”

“... best place for him, does Scottie’s vertigo speak to a deeper uneasiness? Scottie is played by James Stewart (which would usually be comforting). He was fifty when the film was made. A man of that age should be mature, but Scottie is unresolved. He went to nearby Stanford, he showed promise of bigger things, but now he’s a pensioned-off cop, with cracks ...”

“... of the process of writing, she’s building a canvas as well as she is putting on the paint,’ James Taylor, another conquest, explained. ‘It’s never straight on.’ Mitchell’s lyrical indirection, the habit of thinking against conventional tropes, is an extension of what she calls her ‘perverse need for originality’, a manifestation of a ...”

“... in his application. One or two historic moments nonetheless stand out. Hearing that the young James Joyce is about to soar on his Icarus-like wings from Dublin to Paris, Yeats writes him a kindly note on the advice of Lady Gregory, treats him to breakfast during his London stopover and offers to march him around the odd literary editor. It is a ...”

“... legendary’. One character, Syreeta, feels ‘a little sorry’ for two of the girls involved, Kelly and Josephine. ‘It seemed to her that their mothers hadn’t taught them to be ladies … Their lipstick was dark and garish. Boys called Kelly “Grubnut” and she was rarely, if ever, called “hottie”.’Peggy is ...”

“... a sort of soap opera hurricane. In sharp contrast to the cover, the people inside were real: Mick Kelly, who heard music in the inner room; Dr Benedict Mady Copeland, a black Marxist dying of tuberculosis who thought continually of the advancement of his people; Biff Brannon, the brusque owner of the New York Café, who sometimes wished he were a mother; the ...”

“... Cork. Townsend went on to found Art Monthly in 1976 with Jack and Nell Wendler. Under Townsend, James Faure-Walker had been a contributor to Studio International. Cork made his copy less welcome and Faure-Walker and others set up Artscribe. Eventually Peter and I began to meet at Bertorelli’s for wine, talk, food and more wine. At my suggestion, John Tagg ...”

“... or Missouri, or Victoria, once homes to the mythical Robin Hood and the real Jesse James and Ned Kelly, no longer are. Still, if we move out from Hobsbawm’s focus on the social bandit as actual individual, and consider the entire Robin Hood myth, the ideal remains familiar in our outlaw-free world. The myth ...”

“... Film crews called her Nora Neat and Dorothy Detail. A staff assistant called her Janie O. Gene Kelly called her Brunhilda. Bob Hope called her J.B. – for Jut Butt. Jerry Lewis called her Sylvia, but James Garner called her Sylvia-honey. Rock Hudson called her Eunice and sometimes Maude; she called him Ernie. Her son ...”

“... When Samuel Johnson, travelling in the Highlands with James Boswell, reaches Loch Ness, he is so overwhelmed by the massiveness of the landscape that the heavy order of his prose is briefly disarrayed. On his right, there are high and steep rocks, and on his left deep water laps against the bank in ‘gentle agitation ...”