At Tate Britain
Barry Schwabsky: Bridget Riley, 10 July 2003
“... subtlest and most entrancing of Bridget Riley’s early paintings, Static 2 (1966), consists of a field of black spots arranged in a pure grid, 25 by 25, across a white square. Static, as the title says, and yet the painting isn’t inert: a lovely sense of inner movement is conveyed by the way the spots, which are not pure circles but mildly oval, are ... ”