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“... who had by then returned to office as foreign secretary in the wartime coalition government led by David Lloyd George. The British government would ‘view with favour the establishment in Palestine of a national home for the Jewish people, and will use their best endeavours to facilitate the achievement of this object’. Although there was realpolitik behind ...”

“... now I have taken the view that my ‘Desert Island’ book, if I were asked, would have to be David Thomson’s A Biographical Dictionary of the Cinema. First published in 1970, it has just re-appeared as A Biographical Dictionary of Film in a third edition that is revised and considerably enlarged. Despite its titles it is indeed a work of ...”

“... stemmed from the basic nature of his approach. He tended to begin with urban agglomeration (what David Reeder in his useful introduction calls ‘accretive growth’), seen as a process of population concentration, with resultant shifts in the national rural-urban balance, together with related demographic changes within the two modes of life. From ...”

“... that came out of Wales and Ireland, farms and fishing, men’s work with horses. Like Robert Roberts, another recorder of the lives of the poor born at the end of the last century, Evans grew up in a grocer’s shop – not in the classic slum of Salford, but in the mining valley of Abercynon. The children of shopkeepers in poor working-class communities ...”

“... to humanise it. His great find is a previously unseen cache of letters from the young Margaret Roberts to her older sister, Muriel, written variously from Grantham, Oxford and Dartford. There, she talks about boyfriends, fashion, shopping and the various inconveniences of life in wartime and then austerity Britain. They are, I suppose, human. But boy are ...”

“... One of the principal problems of the warring generals was an inability to agree on strategy. At David Owen’s insistence, the Alliance’s election objectives were limited to achieving the balance of power. This had the apparent advantage of modest realism, but there were more substantial disadvantages. The first of these – as I can report by taking a ...”

“... North London suburb and in New York, bears the impress of American writers like Dave Eggers and David Foster Wallace, clever, nervy exhibitionists, IQs-with-i-Books, guys who, as Smith has put it, ‘know things’, writers with a gift for speedy cultural analysis, whose prose is choppy with interruption. The Autograph Man may indeed be the nearest that a ...”

“... social space by both Sadat’s regime (the Brothers were briefly suppressed for opposing the Camp David agreement) and Mubarak’s. They were able to build a large network of Islamic charitable, educational and cultural associations, as well as hospitals and clinics, giving them a social presence that none of the legal parties could rival. They were also able ...”

“... of England, Scotland, Ireland and Wales, and myriad small islands off their coasts. The late John Roberts, himself a pioneering exponent of world history, acknowledged some of these complexities in his editorial preface to the New Oxford History of England, the even more multi-volume successor, still in progress, to the original and influential multi-volume ...”

“... of autobiographical details transmuted into verse that appears to be effortlessly precise. ‘Mr Roberts’, the second poem in the book, is a verse portrait of the ‘great Consul’, E.H. Roberts, the Latin-loving headmaster at Toowoomba, where Porter was sent after the school in Brisbane. Porter’s early published ...”

“... him, however, and Watt was charged with high treason, along with an elderly goldsmith called David Downie, who was unfortunate enough to be at the meeting at which Watt disclosed his crackpot plan. The government was keen to persuade the jury and public opinion (though it was certainly not true) that the Edinburgh plot was part of a co-ordinated ...”

“... It was a remarkable time at the Slade – his other classmates included Paul Nash, Ben Nicholson, David Bomberg and William Roberts – and a revolutionary moment in British art. Even to express support for Roger Fry’s Post-Impressionist exhibitions was daring and radical. Nevinson, having seen a contemporary art show in ...”

“... on this aspect that Anthony King and Ivor Crewe concentrate in the Skidelsky collection. Margaret Roberts moved from her Anglo-Poujadist origins via Oxford, the lab and the bar to eventual leadership and Gaullist ambitions, more honoured in rhetoric than in achievement. The grocer’s daughter hectors for national regeneration with less success than the ...”

“... with wartime controls was an aberration. (Wartime America was much less obedient.) Cartoon by David Langdon for ‘Punch’, November 1949. Mark Roodhouse’s answer to the crude question of just how much black market activity there was in Britain, both during the war and in the period of postwar austerity, is that, though widespread, it was far less so ...”

“... in which Minton was far from being the only considerable talent drinking itself to death. The ‘Roberts’ (Colquhoun and MacBryde) were there beside him; Dylan Thomas was boozing in the same pubs. Art is not made in that spirit any more. The notion that all things are a gamble, that candles should be burnt at both ends, that poverty is often art’s ...”