A Knife at the Throat
Christopher Tayler: Meticulously modelled, 3 March 2005
“... Towards the end, the redemptive power of literature comes crashing onto the stage in the person of Matthew Arnold. ‘Dover Beach’ plays a crucial role, and in one sense it’s a well-chosen poem: the confused alarms and ignorant armies chime nicely with the novel’s public themes. But even McEwan’s powers of persuasion can’t make the scene in which it ... ”