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“... obsessed with its own version of English continuity. As Cairns Craig has argued in Cencrastus, Christopher Hill and E.P. Thompson see class struggle as fundamental to English history, but conceive that history to be ‘shaped as an autonomous inner trajectory defined by the conflicts and the accommodations between classes which do not need to be understood ...”

“... original sketch of the Greenwich Dome’ are twinned with ‘a sketch design for a dome by Sir Christopher Wren’. The puny scale of St Paul’s Cathedral is set against the enclosed acres of the tent on Bugsby’s Marshes. ‘This awesome structure dwarfs the famous domes of history.’ But, walking around nautical Greenwich, the first thing the visitor ...”

“... for the reason such an alien artefact, along with Edmund White’s The Beautiful Room Is Empty and Christopher Isherwood’s A Single Man, could speak to him, namely that the sudden scope given to the truth-telling urge in ‘the Eastern homosphere’ – whatever that is – has lent energy and accuracy to these artists’ nonsexual observations as well, as ...”

“... had been that of the crowd, which was given the same expression by men like Péguy and Rupert Brooke. His paranoia devotes itself to re-creating that erstwhile solidarity, and his immediate instrument is the crowd: he perceives how to turn the old closed crowd of the German Army, now forbidden under the Treaty of Versailles, into the open crowd of the ...”