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“... The 13th-century jurist Henri de Bracton, who formalised the growing body of case law under Henry III, had stressed that ‘in misdeeds we look to the will and not the outcome,’ and consequently ‘a madman is not liable.’ From this point on, madness was defined by legal concepts such as mens rea (guilty intention) and non compos mentis (unsound ...”

“... seen out of pubs.’ ‘There is not a single living man of letters with less moral courage than Thomas Stearns Eliot.’ He was theatrical, with bushy raised eyebrows, a fondness for dramatic pauses and a way of literally dropping his jaw at some critical misjudgment. To us, the presumed faithful, he was courteous and solicitous, but it was rare for anyone ...”

“... appearance in Tippins’s book, starting with William Dean Howells and Stephen Crane, up through Thomas Wolfe, and on to anyone you care to name, sliding to an elegant halt with Joseph O’Neill, author of Netherland. Largely it’s the names, not the work. You almost get the impression that Arthur Miller might have written After the Fall there, but it was ...”

“... there is nothing of that here), while social reformers made it a persuasive one. In Thomas Annan’s Close No. 118 High Street, from an album produced in the late 1800s for the Glasgow City Improvement Trust, a group of inhabitants pack the end of a narrow alley as though swept down it the way rubbish is swept down a gutter. Such ...”

“... of the first Reform Bill was made by the young MP for the rotten Wiltshire borough of Calne, Thomas Babington Macaulay. He denounced the aristocracy’s blind insensitivity to the upper middle classes from which he came. He stressed the contribution that class could and should make to politics. It was precisely the urgent need to keep the barbarians ...”

“... the way some filmgoers use a handicam). Dickens broke into parliamentary reporting by memorising Thomas Gurney’s book, Brachygraphy, or, an Easy and Compendious System of Shorthand. Shorthand enabled upward mobility, but it couldn’t take the place of a classical education: when his fellow journalist R.H. Hutton asserted that ‘in some important ...”

“... than Thurber and much more distinguished. The Duke of Ferrara surely fathered Gilbert Osmond, Henry James’s lethal dilettante in The Portrait of a Lady: a man who at first represents ‘the artistic life’ to the naive heroine, but whose antiquarian talent proves in fact confined, in a penetrating image, to tracing the common coinage of the world ...”

“... nostalgia need not imply a desire simply to flee the bewildering present, to go back home, as Thomas Wolfe put it, ‘to the escapes of Time and Memory’: the historian’s purpose in going home is to recover something left there, some knowledge or power or psychic condition which, brought back to the present, can help us all to feel more at home in this ...”

“... in primitive forgery, or mimic it. It is not clear that even an arch literary forger like Thomas J. Wise actually committed a criminal act for which he could be prosecuted by the DPP. It would be sensible to replace the term ‘literary forgery’ with Anthony Grafton’s neologism, ‘pseudepigrapha’. This blanket description would cover everything ...”

“... of which one is reminded by both Mordecai Richler’s anthology and Ernestine Schlant and Thomas Rimer’s collection of essays. There’s the fact, among many other examples, that US air bases on Japanese territory, acquired at the end of the Second World War, were used against Vietnam. There is the durability of Central European anti-semitism. And ...”

“... After the Reformation, ‘maumet’ began to be used as a derogatory epithet for Catholic idols: Thomas Becon, for example, complains of ‘antichristian monsters’ who teach people ‘to run a Pilgrimage to this and that Idol, to paint this tabernacle, and to gild that maumet’. The Island Princess’s ‘maumet gods’ would have registered as an ...”

“... It could only have been written by an author who had tested his resources many times before. Hugh Thomas’s Havannah is a very different kind of achievement. Here is an accomplished writer actually changing harness, and exchanging the sober caparison of the historian for the showier trappings of the historical novelist. In his capacity as Lord ...”

“... home is a personage from classical poetry rather than 18th-century agriculture. Gray’s friend Thomas Wharton noted: ‘In England the ploughman always quits his work at noon. Gray, therefore, with Milton, painted from books and not from life.’ He did not seem to mean this as a point against the poet, even if Wordsworth would have taken it as a ...”

“... he had used for his early work. Culliford was the second name of Charles’s maternal uncle, Thomas Barrow, a cultured man who had forbidden Dickens’s father ever again to enter his house after the latter’s failure to honour a debt led to his paying £200 as a guarantor. Dickens identified with this more respectable side of the family and often ...”

“... to Europe, self-culture, social relations – a comparable canvas to the novels of his brother Henry. Above all, William wanted – for himself and others – to be well enough to fulfil a more conventional plot than one of Henry’s: to marry and to work (including ‘inner work’, or self-culture).Contemplating ...”