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“... over, he says no. There is a fabled long version of Apocalypse Now – almost six hours – which Peter Cowie reports on in his lively and compendious The Apocalypse Now Book, from which I have taken many of the quotations in this piece, although I also learned a lot from Eleanor Coppola’s Notes (1979), and from Fax Bahr’s documentary Hearts of Darkness ...”

“... deal in depth with English linguistic history. For example, the collection of papers edited by Peter Burke and Roy Porter, Language, Self and Society. This, you’d think (I thought), is just what is needed to excite a fresh interest in the history of English. Well, I thought wrong. The volume is too miscellaneous in topic and treatment to fulfil the ...”

“... pragmatical opponents of the institutional tradition. They include Kierkegaard, Nietzsche, William James, the later Wittgenstein and the later Heidegger, all philosophers who ‘want to keep the space open for the sense of wonder which poets can sometimes cause’. Bacon once called wonder ‘broken knowledge’ – a definition that suits Rorty’s ...”

“... of the many Scottish Whigs like Holland’s librarian John Allen, or the historian Sir James Mackintosh, who were drawn into the circle, are left unanalysed. When he writes of ‘Holland House’ thinking this or disapproving of that, he mostly seems to mean Lord and Lady Holland. The book is essentially an exploration of their outlook, and ...”

“... be a second-rate motor salesman, or a yellow-press journalist, pickled in alcohol and nicotine,’ James Bond tells himself about halfway through From Russia with Love, the fifth and perhaps the best of Ian Fleming’s thrillers. This sounds like good advice, but it does raise one large issue: what exactly counts as being ‘pickled’? Flying from London to ...”

“... these poems recall the ‘loco-descriptive’ poetry of mid-18th-century Britain, best known from James Thomson’s The Seasons. As Dr Johnson demonstrated, you can cut every other line from The Seasons without appreciable loss. The culprits in Doty, as in Thomson, are monotony of tone and monotony of structure. Doty favours meditative lyrics of a standard ...”

“... phone call clothed in amusement, This is what we paddled a neighbour’s dinghy out to scatter – Peter who grasped the buoy, I who held the box underwater, freeing all it contained. Past sunny, fluent surroundings that gruel of selfhood taking manlike shape for one last jeté on ghostly – wait, ah! – point into darkness vanished. The ‘eclipse’ of ...”

“... in 1924. It is a chrestomathy of essays, sketches and wisecracks rather along the lines of the Peter Altenberg scrapbooks popular in the German-speaking countries right through World War One. A Nice Night’s Entertainment would have been more digestible if it had been compiled in the same way, with a few more of Humphries’s adroit lyrics and some of the ...”

“... form and essence of culture. He is end and beginning, both cedar tree and ‘A per se’. And as James Kinsley suggests, Virgil’s best translators acquire something of his luminous stature: ‘the ancient author becomes culturally effective, and the translator a “noble collateral” with him.’ Henry Howard, Earl of Surrey, relied heavily on Douglas’s ...”

“... John Sparrow, Henry Yorke, Alan Pryce-Jones, Osbert Lancaster, Robert Byron, Anthony Powell, Peter Quennell, Tom Driberg, Harold Acton, Christopher Sykes, Randolph Churchill, W.H. Auden, and lots of others, including Gaitskell once more (‘Hugh, may I stroke your bottom?’ ‘Oh, I suppose so, if you must’). With Auden he went to bed; also, according ...”

“... in his rivals. Although I should have thought that misanthropy was nearer the mark than misogyny, Peter Porter twice mentions Rochester’s ‘male chauvinism’, which today may be only the knee-jerk reaction of any masculine critic, automatically kicked out to protect himself by anticipation from the very charge he levels. Rochester’s flaunted ...”

“... you got a tourniquet, Robin?’ and he answered apologetically, ‘I’m afraid I haven’t, Peter,’ I looked at the second man. Only his clothes distinguished him as a human being, and they were badly charred. His face was gone: in place of it was a huge yellow vegetable. The eyes blinked in it, eyes without lashes, and a grotesque huge mouth dribbled ...”

“... met the painter David, an Englishman who had befriended Charlotte Corday at her trial, and Charles James Fox – ‘rather lourd and maladroit’. With the help of a young American, Margaret and Katherine visited Tom Paine, ‘up half a dozen flights of stairs, in a remote part of the town’, and found him making models and playing with his two adopted ...”

“... A friend​ who teaches in New York told me that the historian Peter Lake told him that J.G.A. Pocock told him that Conrad Russell told him that Bertrand Russell told him that Lord John Russell told him that his father the sixth Duke of Bedford told him that he had heard William Pitt the Younger speak in Parliament during the Napoleonic Wars, and that Pitt had this curious way of talking, a particular mannerism that the sixth Duke of Bedford had imitated to Lord John Russell who imitated it to Bertrand Russell who imitated it to Conrad Russell who imitated it to J ...”

“... prove that no thief, liar or rapist is as happy as a saint. It would not have surprised William James or W.V. Quine that our brains treat the molecular composition of water the same way they treat the proposition that cruelty is wrong, but neither of them would have concluded that this means that values are facts. They would have said we’re better off ...”