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“... one of the most familiar scenes from the life of Wilde: the bad moment outside Swan and Edgar’s. Richard Ellmann’s biography says that, as Wilde caught sight of ‘the painted boys on the pavement’ outside the department store, he was struck by an overwhelming sense of catastrophe. Holland traces the story back to 1930 and to Ada Leverson, who – he ...”

“... open to Elizabethan influence (appropriate, indeed, to a replica playhouse), can nevertheless be read without anxiety by modern audiences. At which point, the company could do worse than turn to Dr Hattaway’s book, which concentrates uncompromisingly on the theatrical dimension of late Elizabethan drama. Wide-ranging but informed, critically alert and ...”

“... for a hundred years or more, Bardic Romance was a major form. Forgotten now, or doomed to be read only by critics, books like Miss Severn’s Anne Hathaway; or, Shakespeare in Love enjoyed mass appeal in Victorian England. One fatuous confection by Robert Folkestone Williams, The Youth of Shakespeare, went through six editions in three countries, besides ...”

“... As the unwary traveller hurries into Heathrow’s international bookstall hoping to light on a good read for the plane, his eye is assaulted by a thwacking array of swastikas on black, gold and blood-red fields. Approaching them at random but with a certain circumspection, he finds, for example, Philippe van Rindt’s The Trial of Adolf Hitler, in which it is revealed that Hitler survived his attempts at suicide in the bunker; The Murder of Rudolf Hess, by Hess’s Spandau doctor, demonstrating that the prisoner who the other day celebrated his 85th birthday is not Hess at all, but a small Nazi only too glad to avoid vengeance from his fellows by impersonating the great in perpetual concealment; James Pool and Suzanne Pool’s Who financed Hitler?, which opens with a luxurious gathering of bankers and party ‘higher-ups’ with their sleek women, just a shade less exotic than the gathering in a Japanese restaurant of Spanish-speaking kameraden that begins The Boys from Brazil ...”

“... and I recognised the not-quite-extraterrestrial, dumpy, middle-aged forms of Elizabeth Taylor and Richard Burton panting their way up the hill. The glow was not, of course, from their outward perfection, nor their inner beauty and wisdom, but the result of years and years of attention from precision-ground lenses and high-wattage lights being focused and ...”

“... American literature. It was French condescension that celebrated Hemingway, Steinbeck, Dos Passos, Richard Wright, Erskine Caldwell, Dashiel Hammett and James M. Cain, Beauvoir was told, when the United States had its own sophisticated tradition of internal, psychological exploration; she was witnessing the formation of the American Studies canon ...”

“... the choir sang, doing Psalm 39, ‘and make me not a rebuke unto the foolish.’ Ted Hughes read the bit from Ecclesiasticus about now praising famous men. Where these orders of service used to be religious brochures offering blasts of Christian devotion, they are now ‘celebrations’ of the life, posthumous animations of the career, and summaries of ...”

“... little pain Edward – but the Queen has indeed overseen a drama of pride and pettiness that makes Richard II seem like an episode of Coronation Street. More than that, she has described a new role for the royals: making one feel a bit better about the dysfunctionality of one’s own family, knowing that they could never be so internationally fucked up as ...”

“... of Ambiguity (1930), which she refers to only as ‘the horrible ambiguity book’. Paton Walsh read English at Oxford in the 1950s, and Goldengrove is in many ways a response to the experience. Madge wants to be a character in To the Lighthouse, or a saintly Jane Eyre reading to a blind Mr Rochester. But instead of becoming part of a tradition of English ...”

“... science. To an alarming degree, theory preempted argument. H.D. had been abandoned by her husband, Richard Aldington, for another woman, during a difficult pregnancy in which mother and child seemed doomed; her love affair with the feminist Bryher was fraught; writing set up its own strains: but Freud already knew, amid this welter of anxieties, what really ...”

“... of any of the possible works from the first thirty years of Poussin’s life (some were on view at Richard Feigen till 3 March and will be at Yale from 23 May), all the highly commercial erotica of the 1620s (there are a couple of examples in the National Gallery’s little room of ‘Poussin Problems’), and every one of the major allegorical and religious ...”

“... in a sudden panic, he said, ‘I can’t touch him. I can’t.’ He sobbed, and André held him. Richard, with Chuckie by him, kissed his father, and, shaking his head, he left weeping. Edmond kissed his father, pressing his lip for a long while to his cheek. Leaning over my father’s face, I thought, I can’t, I can’t, but kissed his forehead, and left ...”

“... survived as long as the Empire itself, but otherwise Seeley was neglected until in recent years Richard Shannon and Sheldon Rothblatt both identified him as a leading figure in the reorientation of the Victorian élite. Plainly there was scope for an intellectual biography to match the ideas to the man, and the task was undertaken as a PhD by Deborah ...”

“... it seemed, was the misguidedness, stupidity and sometimes dangerousness of religious belief. Richard Dawkins, Daniel Dennett, Sam Harris and Christopher Hitchens: over the previous few years each had published a bestselling book condemning religion, and they were all rather pleased with themselves. Dawkins’s The God Delusion alone, with its compelling ...”

“... nearest bushes, possessed by ‘a single unmixed instinct of fear for his young and happy life’. Richard Holmes’s impressive and absorbing Firing Line shows how accurately Tolstoy projected, in this episode and others, the psychology of troops in battle. Holmes quotes Lieutenant David Tinker on his first experience, during the Falklands War, of being ...”