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“... second storey was like a roof, covered in shingles. The shingles were dark green or maroon or brown. The porches came to within a few feet of the sidewalk and the spaces between the houses seemed narrow enough for people to reach out the side windows and shake hands. Children were playing on the sidewalk, but Queenie took no more notice of them than if ...”

“... This van (there were to be three others in the course of the next twenty years) was originally brown but by the time it had reached the Crescent it had been given a coat of yellow. Miss S. was fond of yellow (‘It’s the Papal colour’) and was never content to leave her vehicles long in their original trim. Sooner or later she could be seen moving ...”

“... Mills & Boon to greatness were the tuppenny libraries in the Thirties (for which they supplied brown-jacketed hardbacks) and the cheap, bookstore-racked paperback in the post-Sixties period. Of the two, the first is associated with Mills & Boon’s golden age. In its recent paperback form the identity of the firm has been diluted by multinational ...”

“... insight into the politics and the personalities with whom Robin Cook was involved. She met Gordon Brown just after her marriage, but has ‘little remaining impression of Gordon, whom I have met only once or twice since then, and he seems, like many famous people who start their careers almost as child prodigies, to have suffered burn-out of his private ...”

“... houses with mahogany furniture and deep carpets and silent servants; the heavy meals starting with brown Windsor soup and ending with Cabinet pudding; broadcloth and tweed, shooting and croquet and tennis, and holidays in huge hotels in Torquay or the South of France. There is a splendidly evocative picture of Galsworthy ‘in his Oxford rooms’ with a ...”

“... layer upon layer of intervening works of art. In one of several ‘digressions’ on paintings, a Brown-ingesque artist working on an ‘Apocalypse’ reflects on the problems of depicting catastrophe: ‘Destroying the world is a difficult exercise.’ Some have found an artistic pleasure in doing it for real, and Nero used art as an adjunct to the ...”

“... is now a scheduled ancient monument tucked away in flat farmland, its whereabouts indicated by a brown road sign pointing across a field of beet (or so it was last autumn). The aqueduct is a fairly short affair; it carried the canal across a narrow, shallow river valley, and replaced an earlier one, still unfinished when it was swept away by a violent flood ...”

“... The Brutalist wing of the IG was represented by the team of Paolozzi, Henderson and the architects Peter and Alison Smithson, who littered a bare shed on a rough patio with symbolic relics (it looked as though it had been ‘excavated after the atomic holocaust’, the critic Reyner Banham remarked). On the proto-Pop side of the IG were Hamilton, John McHale ...”

“... Samson and Delilah, and wore a spangly bikini top, the better to cling on to the shoe-polish-brown chest of Victor Mature as Samson, in full, glorious Technicolor. Even with her clothes buttoned up, however, Hedy Lamarr carried the frisson of having once been prepared to strip naked on film. Even though few in America had seen Ecstasy, it continued to ...”

“... you weren’t ruthless enough.’ When Eden offered him the Exchequer, Macmillan did a Gordon Brown: insisting that ‘as chancellor, I must be undisputed head of the home front, under you’ and that there could be no question of his predecessor, Butler, being accorded the title of deputy prime minister. Barely a year later, after the Suez debacle, he ...”

“... first image is that of a door standing ajar (it is night) … A woman enters, wearing a long brown fitted coat, her face hidden by the hood. She carries two cardboard boxes stacked one on top of the other. Grocery items protrude at the top. She pushes the door closed with her shoulder. Disappears from the frame, reappears without the boxes and removes ...”

“... group, now at the top of the New York avant-garde art world,’ Melvyn Bragg explains, blunt brown sideburns toning nicely with his blunt brown tie. A bit later he addresses Acker directly. ‘You talk in your books about doing away with meaning. What do you mean by that, more precisely?’ She smiles.For this ...”

“... second time I saw him must have been a few years later at the Mermaid Theatre at a performance of Peter Luke’s play Hadrian VII with Alec McCowen. Then it was his characteristic walk that I noticed: he tripped down the aisle after the designer, Gladys Calthrop, his hands, fingers pressed together, half slipped into his trouser pockets ...”

“... and Durkheim in French, alongside works by Weber, Troeltsch, Mannheim, Merton, Parsons, Radcliffe-Brown and more. In his preface he thanks Adorno, Henry Nash Smith, I.A. Richards, Talcott Parsons and Peter Laslett, among others. The standard caricature of the Cambridge-influenced criticism of the postwar years represents it ...”

“... spoken or responded to language again), he drew constantly, producing large, hypnotic images on brown paper bags or donated rolls of examining-table paper of the type you see in doctors’ surgeries. His characteristic subjects include arid Mexican landscapes and hills (often with train tunnels and trains coming through them), horse-riders, deer and ...”