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“... and Memoirs – had covers easily recognisable as ‘SF art’. The jackets were designed by Richard Powers, whose unmistakable paintings were usually found on Ballantine mass-market paperbacks by Isaac Asimov, Frederik Pohl, Clifford Simak and others. Powers’s designs screamed of the ‘paraliterary’, of druggy, trippy, sci-fi – just the boy’s ...”

“... death. It won an Academy Award. Debbie Reynolds was in a 1964 film version of The Unsinkable Molly Brown, based loosely on the life of one of the most famous of the first-class survivors, which was nominated for six Oscars. With the discovery of the wreck in 1985, some twenty kilometres from where the Titanic had reported its position, the ship’s afterlife ...”

“... panel in the centre that comes up to Waters’s breastbone. In the glass she could see a line of brown sea, dancing, like water in the window of a half-full kettle at boiling point.The great North Sea storm of 2013 came sixty years after the great North Sea storm of 1953. In Lincolnshire, nobody was killed, against 41 in 1953. Then, the storm was seen as one ...”

“... with the infidel Saracens and Turks. When the Carmelites came back from a Crusade in 1254 wearing brown and white striped robes – a funky new fashion picked up in the Ottoman East – they were immediately made to renounce them by Papal edict. Medieval laws often required that social outcasts – thieves, traitors, prostitutes, lepers, madmen, hangmen ...”

“... The tension between party members and elected representatives, however, is congenital in Labour: Richard Crossman observed in 1968 that the nominal sovereignty given to the party conference was vitiated in practice by the freedom given to MPs in matters of political judgment. Perversely, the unremitting attacks from his own MPs made it more difficult, not ...”

“... stuff ... They are delightful niggers, those inexhaustible Ethiopians.’ To the art historian, Richard Powell, the meaning of all this was obvious. He writes in Black Art and Culture in the 20th Century (1996): ‘In a society that had recently suffered a war of tremendous proportions, and was increasingly changing into an urban, impersonal and ...”

“... you touch the sand. In Camp Five as well, there was a window in my cell, but it was covered with brown tape. One day I was sitting, mad, sad, angry, and a woodpecker came and knocked, knocked until it broke the tape – a hole big as a coin. It did this to a lot of windows. It started doing it every day and the guards had to put new tape every ...”

“... by such as Julian Huxley and Joseph Needham. They had not lasted. The writer just quoted is Richard Hoggart, whose memories of his time in Paris are not fond. The picture he paints of a Unesco General Conference – the kind taking place through the door just to the left of Picasso’s mural – seems relevant. Meetings usually start late. There is no ...”

“... Air Act Amendments of 1990, which introduced sulphur dioxide trading. Economists such as MIT’s Richard Schmalensee and Robert Stavins of Harvard’s Kennedy School also became involved. They didn’t simply advocate a cap and trade scheme, but helped it gain political acceptance. The 1990 legislation differed from what economists might have wanted in two ...”

“... Jesse Florian in Farewell, My Lovely, who ‘had weedy hair of that vague colour which is neither brown nor blonde, that hasn’t enough life in it to be ginger, and isn’t clean enough to be grey’.When Marlowe meets the journalist Anne Riordan, the nearest Chandler comes to creating a female character not entirely defined by her relationship to men, the ...”

“... and who had spotted all the members of Gaidar’s group years before they became a team, and Richard Layard, an LSE professor specialising in labour markets and wages, who with his wife Molly Meacher, another labour-market specialist, embraced the reform process and Russia and moved into a flat in Central Moscow to work full-time with Shokhin. Round them ...”

“... an Arriva bus and quits Leeds via Hunslet, which also appears more or less obliterated since Richard Hoggart, who described its working-class culture so memorably in The Uses of Literacy, grew up there. Next comes Woodlesford, where McKie gazes round for any trace of the rhubarb for which the place was once well known, and we chug onwards to ...”

“... becomes a series of rescue missions, staged opportunities for heroism worthy of Hollywood: mobs of brown-skinned extras look up to see helicopters – we are saved! The Americans have arrived! Such are the dreams that hover unarticulated in our political unconscious, allowing our leaders to redefine war as humanitarian intervention. The triumph of fantasy ...”

“... Doris was​ in her early forties when I arrived in my vile mustard-coloured coat with a brown velvet collar, my first ‘grown-up’ item of clothing. It was hung in the airing cupboard alongside some marijuana that Doris had grown in the garden her first summer in the house and was now drying out. I never wore the coat again, though we did smoke the dope ...”

“... over all the drawers in the work table in the spare room. Blakey rolls her eyes, sits down, pulls Richard Rorty out of her bag and prepares to wait for several hours.I guess I left this part out earlier: that I’m as ‘arty’ as my old mum. Can’t help it: it’s a mutant gene, like homosexuality. And though I can neither draw nor paint I’m fairly good ...”