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Running on Empty

Christopher Hitchens: The Wrong Stuff, 7 January 1999

A Man in Full 
by Tom Wolfe.
Cape, 742 pp., £20, November 1998, 0 224 03036 1
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... No one was ever moved to tears by reading about the unhappy fates of heroes and heroines in Homer, Sophocles, Molière, Racine, Sydney [sic], Spenser, or Shakespeare. Yet even the impeccable Lord Jeffrey, editor of the Edinburgh Review, confessed to having cried – blubbered, boohooed, snuffled and sighed – over the death of Little Nell in The Old ...

Subjects

Craig Raine, 6 October 1983

Peter Porter: Collected Poems 
Oxford, 335 pp., £12.50, March 1983, 0 19 211948 6Show More
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... with ‘our desolate concrete plain’. The gist seems to be that the poet will never be Dante or Homer, only a philosopher of captions. This is clear despite the bodged dovetailing of ship and concrete plain. The final line of the poem (‘That pain is the one immortal gift of our stewardship’) relates to this presumably by the menial role of steward in ...
... Most of its members had most probably never heard of him. When Vico’s theories about Homer came to the notice of the Homeric scholar F.A. Wolf, and Vico’s writings on early Rome to that of the great Roman historian Niebuhr, these eminent men were not pleased. Pereant qui ante nos nostra dixerunt. At least Vico, whatever his other anxieties, had ...

Nationalising English

Patrick Parrinder, 28 January 1993

The Great Betrayal: Memoirs of a Life in Education 
by Brian Cox.
Chapmans, 386 pp., £17.99, September 1992, 1 85592 605 9
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... of Greek and Latin literature. The highest standards are set not by the English poets but by Homer, Virgil and Dante. If anything deserves to be part of the school curriculum merely because of its contribution to our cultural heritage it is Latin, which until recently was a requirement for university entrance. The intellectual shallowness of the ...

John Homer’s Odyssey

Claude Rawson, 9 January 1992

Customs in Common 
by E.P. Thompson.
Merlin, 547 pp., £25, October 1991, 0 85036 411 6
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... belong naturally to the situation. Thompson reports the case in 1823 of an ex-soldier called John Homer, who had maltreated his wife and forced her against net will to be bought out by her own brother. He then thought this entitled him to marry again, and was transported for bigamy. Life’s little ironies also produced a wife-purchaser called Thomas Hardy in ...

Seven Centuries Too Late

Barbara Newman: Popes in Hell, 15 July 2021

Dante’s Bones: How a Poet Invented Italy 
by Guy Raffa.
Harvard, 370 pp., £28.95, May 2020, 978 0 674 98083 9
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Poetry in Dialogue in the Duecento and Dante 
by David Bowe.
Oxford, 225 pp., £60, November 2020, 978 0 19 884957 5
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Dante’s Christian Ethics: Purgatory and Its Moral Contexts 
by George Corbett.
Cambridge, 233 pp., £75, March 2020, 978 1 108 48941 6
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Why Dante Matters: An Intelligent Person’s Guide 
by John Took.
Bloomsbury, 207 pp., £20, October 2020, 978 1 4729 5103 8
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Dante, Petrarch, Boccaccio: Literature, Doctrine, Reality 
by Zygmunt Barański.
Legenda, 658 pp., £75, February 2020, 978 1 78188 879 7
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... as often as he compliments them. When he arrives in Limbo, its five canonical poets – Virgil, Homer, Horace, Ovid and Lucan – welcome him as the sixth and implicitly greatest of their band, since he alone will be saved. The artist Oderisi, moralising about the transience of fame, notes that ‘one Guido [Cavalcanti] has taken from the other ...

No reason for not asking

Adam Phillips: Empson’s War on God, 3 August 2006

Selected Letters of William Empson 
edited by John Haffenden.
Oxford, 729 pp., £40, March 2006, 0 19 928684 1
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... the effect of almost any orthodoxy is to hide this, and pretend that everybody ought to be like Homer or Dr Leavis.’ One of the most effective ways of creating an orthodoxy, as Leavis at least seems to have known, is to identify an enemy: the pretence that everybody should be like X always involves the assumption that they must hate Y, be as unlike Y as ...

Looking at the Ceiling

T.J. Clark: A Savonarolan Bonfire, 22 September 2005

The Mirror of the Gods: Classical Mythology in Renaissance Art 
by Malcolm Bull.
Allen Lane, 465 pp., £30, April 2005, 9780713992007
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... instinctively by Plato, this greatest enemy of art that Europe has yet produced. Plato contra Homer: that is the complete, the genuine antagonism – there the ‘otherworldly one’ with the best of wills, the great slanderer of life; here its involuntary deifier, golden nature. I need hardly remind anyone what kind of future is being prepared, in ...

Determined to Spin

Susan Watkins, 22 June 2000

The Clear Stream: A Life of Winifred Holtby 
by Marion Shaw.
Virago, 335 pp., £18.99, August 1999, 1 86049 537 0
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... great foremothers (inspired, perhaps, by the cadences of Brittain’s prose: ‘From the days of Homer the friendships of men have enjoyed glory and acclamation, but the friendships of women have ... been unsung’); and that triumphant reissue in the 1980s of all Holtby’s works as Virago Modern Classics. And now this biography, sharp, sensitive and ...

Vibrations of Madame de V***

John Mullan: Malcolm Bradbury, 20 July 2000

To the Hermitage 
by Malcolm Bradbury.
Picador, 498 pp., £16, May 2000, 0 330 37662 4
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... novelist. If poverty were to force him to sell his books, he still would keep just a few: Moses, Homer, Euripides, Sophocles – and Richardson. The intensity of this admiration was surely rooted in Diderot’s recognition in Richardson’s fiction of what he himself could not manage: the density of scruples, the faith in psychological complexity, the ...

Not Dead Yet

Anthony Grafton: Latin, 8 January 2015

Latin: Story of a World Language 
by Jürgen Leonhardt, translated by Kenneth Kronenberg.
Harvard, 352 pp., £22.95, November 2013, 978 0 674 05807 1
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... Renaissance humanist Marc-Antoine Muret – and composed his own epoch-making Prolegomena to Homer in Latin, a decision that enabled his work to reach a far wider public than it would have in German. Though Leonhardt is clearly right to emphasise that formal Latin education remained classical in the early modern period, he underestimates the period’s ...

Balloons and Counter-Balloons

Susan Eilenberg: ‘The Age of Wonder’, 7 January 2010

The Age of Wonder: How the Romantic Generation Discovered the Beauty and Terror of Science 
by Richard Holmes.
HarperPress, 380 pp., £9.99, September 2009, 978 0 00 714953 7
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... when he wrote Alastor. Keats thought of Herschel when he wrote his sonnet on Chapman’s Homer and registered in his swimming planet the way convection currents in the sky ‘give objects the appearance of being seen through a rippling water surface’. Coleridge may have been thinking in his ‘One Life’ texts (with their vision of cosmic ...

Frog’s Knickers

Colin Burrow: How to Swear, 26 September 2013

Holy Shit: A Brief History of Swearing 
by Melissa Mohr.
Oxford, 316 pp., £16.99, May 2013, 978 0 19 974267 7
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... between young whites. Swearing is an action, and one that can hurt, harm, engage and enrage, as Homer and Aristophanes and Chaucer and Shaw knew. When a swear word is used casually as an intensifier it can carry a residuum of the pain and shock that it is capable of inflicting in other circumstances. That transfer of shock is part of what we do when we ...

Half-Finished People

Thomas Meaney: Germany Imagines Hellas, 11 October 2012

The Tyranny of Greece over Germany 
by E.M. Butler.
Cambridge, 351 pp., £23.99, March 2012, 978 1 107 69764 5
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... in Ancient Greece: by giving the Greeks their gods and establishing their theodicy in poetry, Homer was both Moses and Milton. Like Herder, Hegel was trying to temper German nostalgia for Greece. Hölderlin, however, held nothing back. Throughout his life, he wanted to see the German polis renovated along democratic Greek lines – a dream gradually ...

Professor or Pinhead

Stephanie Burt: Anne Carson, 14 July 2011

Nox 
by Anne Carson.
New Directions, 192 pp., £19.99, April 2010, 978 0 8112 1870 2
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... to face. You might describe our whole classical heritage that way: ghosts of Solon in our laws, of Homer in our wars. You might also use the same description for death, that other great emptiness, which we can neither understand wholly, nor wholly ignore. In Nox, as in If Not, Winter, emptiness and apparatus surround short classical texts and explore their ...

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