Diary
Iain Sinclair: In Guy Vaes’s Footsteps, 21 May 2020
“... draped Art Deco dryads, fishbowl lights and heavy velvet curtains. The set was screaming for a David Lynch remake of The Masque of the Red Death. Room Three, Hotel Esperance, Finistère: a beacon of hope at the end of a darkening continent. But something embedded layers deep, mephitic and beyond redemption, was present in this city. All the coded signs ... ”