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“... of Romanticism, the neglect of Lecky and new-wave social science, the scatological treatment of Thomas Carlyle. Other omissions may be added. Frederic Maitland is not very well realised, which is strange given the historians (Kenyon among them) who believe in his greatness. Maitland’s relationship with Leslie Stephen and avid interest in Meredith’s ...”

“... Isaiah Berlin, Tippett, Betjeman and Fred Hoyle became familiar voices. Louis MacNeice and Dylan Thomas made a poet’s living in what Thomas called ‘the thin puce belfries’ of the Third. Guided by the producer Douglas Cleverdon, Under Milk Wood and Beckett’s All That Fall came into being; and drama thrived – the ...”

“... the case histories of many individual works, from the Lindisfarne Gospels to the prayer book of Henry VIII, giving anecdotal accounts of the ways in which they were lost or found, preserved or destroyed. In Perceptions of Medieval Manuscripts, Treharne covers similar ground, concentrating as Wellesley does on British manuscripts. But she addresses a more ...”

“... both famous and infamous, and famous not for a few minutes but for ever. Three centuries later, Thomas Carlyle will write that but for you there would have been no French Revolution, no America. This is what happened not in a dream but metaphorically to Martin Luther, a hitherto obscure monk and professor of theology in an undistinguished university ...”

“... In December 1947 the American writer Susan Sontag was invited to have tea with Thomas Mann. She was 14, a high-minded schoolgirl full of literature and the seriousness of life. She had one friend, and this boy, her disciple, had written to Thomas Mann, who was then living in California, telling him that they had been reading his books and admired them above all others ...”

“... and booksellers of the second half of the century, such as Andrew Millar, William Strahan, Thomas Cadell (father and son) and George Robinson in London, and Alexander Kincaid, John Balfour, John Bell and William Creech in Edinburgh, were not ‘mechanicks’ as Strahan once complained, but collaborators in a London-Edinburgh publishing enterprise that ...”

“... was often put in mind of ‘The Painter of Modern Life’ while reading Mark Ford’s study of Thomas Hardy. Ford doesn’t mention it (though he does refer to Baudelaire’s flaneurial poems), perhaps because that manifesto is too obvious, or too obviously theoretical: he prefers to build his case patiently, historically, in solid empirical ...”

“... of the ‘salmons in both’ variety. The connections are chiefly with Titus Andronicus and I Henry VI, but Sams finds significant parallels as far away as Pericles: both plays have a scene in which a letter is read out. What, says Sams after citing a page and a half of similar parallels, could be more Shakespearean? Confidence in Sams’s case is not ...”

“... dear middle-age these noodles praise’, when, ‘you’ll say, once all believed,’ from Henry VIII to the ploughman with his paternoster. So it was not a book above and beyond criticism. How ‘traditional’ was this traditional religion (a question Duffy himself asked)? Did Duffy succeed in convincing us that ‘superstition’ was an ...”

“... of social status; Amy’s family were vaguely theatrical – her father had been a manager for Henry Irving – and thought of themselves approvingly as ‘bohemians’, too good to marry into ‘trade’ (though Amy’s mother was from a family of grocers). The large brick terraced house in Clapham belonged to Amy’s family and its hallway was hung with ...”

“... a hundred-odd to Galsworthy, the same quantity to Ford Madox Ford, ‘several dozen’ to Thomas Wise, an unspecified but obviously vast number to the agent Pinker, and so on. Moreover, the core collection of Jean-Aubry is unreliable, because of ‘unprofessional editing and omissions’, the latter caused by an understandable desire not to give ...”

“... killed off by the war the vacuum was filled by the extravagant romanticism associated with Dylan Thomas, George Barker and Edith Sitwell. Less than a decade later, with those roses seen as over-blown, Robert Conquest was deploring ‘the omission of the necessary intellectual component from poetry’, gathering several disparate writers under one ...”

“... wartime provided welcome relief from the routine of their ordinary lives. (The sombre figures in Henry Moore’s drawings do not reflect accurately the quality of life in air-raid shelters.) The economic consequences of the bombing in World War Two were less obvious and were often overestimated by those who might have been expected to be well-informed. I was ...”

“... and then harden around us as the lost hours progress and we feel their unfreedom accrete. Henry James was snooty about Hardy, but I wonder how James would have done, if given as a kind of literary test a cow’s udder to describe? Admirably, no doubt, with his usual lyrical paradox of oddly precise euphemism, but certainly without the solidity of ...”

“... which is the lachrymose and androgynous Mourning Figure sculpted by August St Guldens for Henry Adams’s unhappy wife Clover (whose name always puts me in mind of an overworked pit pony). And there in the grass is a stone slab, bearing the names and dates of birth of Vidal and his lifelong companion Howard Austen. The hyphens that come after the ...”