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“... up the slopes towards the French positions. In his classic account of the war, the historian Michael Howard described what happened next:The field officers on their horses were the first casualties. The men on foot struggled forward against the chassepot fire as if into a hailstorm, shoulders hunched, heads bowed, directed only by the shouts of their ...”

“... myth. Everett shares his taste for marrying comedy and philosophy with Thomas Pynchon and the Joseph Heller of Catch-22 and Good as Gold. But there’s only one writer who resembles him in any significant way. Like Everett, J.M. Coetzee was a student of logic who turned to fiction. ‘My name is Eugene Dawn,’ the narrator of his early story ‘The ...”

“... in Media movement: among AIM’s patrons were William Simon, the former Treasury Secretary, Joseph Coors, the beer magnate and Reagan confidant, Claire Booth Luce, Jimmy Goldsmith and Richard Mellon-Scaife. Moon now felt confident enough to take on the hated New York Times by launching the New York News World and, in 1982, to take similar aim at the ...”

“... more recently to find Isaiah Berlin lumping Burke in with ‘reactionary thinkers’ such as Joseph de Maistre. Berlin’s friend Stuart Hampshire is contemptuous not simply of Burke’s views but of the quality of his thought: Burke’s rhetoric was mere assertion. It was not proof or even argument. He was not clear and he was not consistent. He saw ...”

“... to carry important meaning in Doctorow’s narratives; in Loon Lake the vagrant hero was given Joseph Conrad’s Polish name; in the more autobiographical World’s Fair the author’s own name was used. Here the hero-narrator is called Billy Bathgate. The allusion is not to the unlovely Scottish mining town but to Bathgate Avenue in Doctorow’s native ...”

“... might suggest was the ‘evidence’ that blacks were not brothers ‘under the skin’. In Julien-Joseph Virey’s popular Histoire Naturelle du Génie Humain (first published in 1801) a profile taken from a sculpture of the bearded Zeus is contrasted with one of an Ibo African with large lips, flat nose and receding brow, and one of an orangutan. Virey ...”

“... Covell’s scholarly, discriminating and curiously detached study of the Cambridge fogeys – Michael Oakeshott, John Casey, Maurice Cowling and Roger Scruton – with side-glances at Shirley Robin Letwin and the conservative potential in Wittgenstein, Elizabeth Anscombe and Philippa Foot. Other than that, some of the conservatives are closer to ...”

“... the diplomats were right for the wrong reasons. Neither side could match the wisdom of a man like Michael Lindsay, guide and adviser to Attlee’s group. Lindsay had lived with Mao and Zhou as a friend and comrade through the years of struggle in Yenan, but saw clearly, at an early stage, the fatal signs of growing dogmatism and arrogance in the new ...”

“... local politics, welfare, infrastructure and architecture, exemplified above all by Birmingham and Joseph Chamberlain, whose dapper personality adds style to the narrative of earnest civic endeavour. All that is uncontroversial. But then after 1890 comes collapse, as the middle classes and intellectuals lose faith in city living and decamp to garden cities and ...”

“... and the darkness awaited him. In the introduction Ionescu addressed Sebastian by his real name: Joseph Hechter. Born in 1907 in Braila, on the Danube, Hechter had been a reader from the first: Maeterlinck at seven, Daudet, Dostoevsky, Maupassant, Sienkiewicz at nine, Munchhausen at ten, Barbusse, Conan Doyle. He was in love with literature, with the theatre ...”

“... detail, the fairies, along with the other inhabitants of Fairyland – in the mid-19th century Michael Aislabie Denham listed more than 150 species, ‘hobbits’ included – gave the medieval Church more of a headache than has been admitted. The main problem, we might say nowadays, was that they were ‘inadequately theorised’. What were fairies? Where ...”

“... would be no Hamlet or Lear, no Vanya or James Tyrone. His one shot at Shakespeare was as Antony in Joseph L. Mankiewicz’s film of Julius Caesar (1953), where he amazed many doubters and impressed John Gielgud (his Cassius), by handling the verse as easily as he had muttered and snarled in Streetcar and The Wild One. But he did make movies, like ...”

“... reason’. Aleister Crowley used peyote in his séances. Frederick Madison Smith, the grandson of Joseph Smith, the founder of the Mormon religion, explored it as a possible means of achieving religious ecstasy. Smith also lobbied against the prohibition of the peyote religion, which had grown since the 1890s and was now attracting opposition. After a bill to ...”

“... various forms of painterly meaning and production.’ For Buchloh, formalism is encapsulated by Joseph Kosuth’s dictum, ‘the absence of reality in art is exactly art’s reality,’ and historicity by Daniel Buren’s, ‘art, whatever it may be, is exclusively political.’ So, by implication, the ideal of a historicised formalism would be work that ...”