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“... by claiming that ‘you have stolen the rhythms of the black people you knew in Liverpool.’ Soon Yoko Ono was presenting him with £10,000 in £10 notes. Malik offered Lennon a pair of Muhammad Ali’s bloodied shorts in return for a box containing locks of the singer’s hair. The plan was to sell them to Beatles fans with the proceeds going to the ...”

“... easily in artistic circles, and struck up friendships with Willem de Kooning, Allen Ginsberg, Yoko Ono, Robert Frank and the great figurative painter Bob Thompson, who shared his love of jazz. He was a pivotal influence on a student at Syracuse, Lou Reed; another close listener was a composition student at Juilliard, Philip Glass. Yet his most ...”

“... aftermath of Conceptual Art, in the late Sixties and on into the Seventies, when John Lennon and Yoko Ono, Victor Burgin, Les Levine and others used billboards for work which blended fine art with political propaganda. By dethroning painting, Conceptual Art opened the gates to a range of other media, not simply text and installation, but also ...”

“... closet you’ve ever been in in your life.He was pleased to see that his friends John Lennon and Yoko Ono were ‘as bad as me’ when it came to shopping. ‘The various apartments they owned in the Dakota were so full of priceless artworks, antiques and clothes that I once sent them a card,’ which read: ‘Imagine six apartments, it isn’t hard to ...”

“... Three Little Bigs’). If this came a long way after Tristan Tzara, it came a long way before Yoko Ono and was much funnier than either, but more prophetic was his knack for street theatre. Still a schoolboy in Sydney, I heard about these daring adventures only later, but everybody in Australia got to hear about them eventually. Apparently there was ...”

“... who would pay to have their portraits painted. Having done Mick Jagger, he pursued John Lennon and Yoko Ono, without success: Warhol was indignant that two people who made ‘a million dollars a day’ were too cheap to pay $50,000 for a portrait. Lennon told Warhol he should be paying them; Ono pointed out that Jackie ...”

“... from art to music. ‘It was impossible to disentangle the compulsion of the audience to cut, and Yoko Ono’s compulsion to be cut,’ he wrote in the Financial Times in 1966 of the famous performance in which Ono encouraged her audience to attack her clothing with scissors. She was his house guest at the time and had ...”