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Frost: A Literary Life Reconsidered 
by William Pritchard.
Oxford, 186 pp., £14.95, March 1985, 0 19 503462 7
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... and the difference in style was striking. Set beside the early work of Pound and Eliot (or of Wallace Stevens and William Carlos Williams, for that matter), Frost’s ‘simple’ lyrics might have seemed to be some sort of throwback – as if they belonged far down the back slope of the great Modernist watershed. But those same unassuming poems ...

Floating Hair v. Blue Pencil

Frank Kermode, 6 June 1996

Revision and Romantic Authorship 
by Zachary Leader.
Oxford, 354 pp., £40, March 1996, 0 19 812264 0
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... few poems reach print unrevised, though some are more spontaneous than others. It is curious that Wallace Stevens, who rarely suggests the poetry of flashing eye and floating hair, was in fact a very spontaneous writer and did very little revision, as if, for him, the primary and secondary processes were virtually one and the same. Wordsworth, on the ...
... just go down into the barking heart of the thing and see how a pineapple is made, to quote Wallace Stevens, and they said, Who’s Wallace Stevens? The bunch of green bananas on her kitchen windowsill at home is still green when she gets back. This makes her think of T.S. Eliot, his infant vows of chastity ...

In a Dry Place

Nicolas Tredell, 11 October 1990

On the Look-Out: A Partial Autobiography 
by C.H. Sisson.
Carcanet, 234 pp., £14.95, October 1989, 0 85635 758 8
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In Two Minds: Guesses at Other Writers 
by C.H. Sisson.
Carcanet, 296 pp., £18.95, September 1990, 0 85635 877 0
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... the corridors of power and the demi-monde of poets’ pubs. Like the Eliot he admires and the Wallace Stevens he deplores, you wouldn’t think he was a poet, to look at him: ‘When I am deposited at my desk I become, as nearly as may be, purely functional.’ But his office is in St James’s Square, and a seductive symbol can be seen from the ...

Belfryful of Bells

Theo Tait: John Banville, 19 November 2015

The Blue Guitar 
by John Banville.
Viking, 250 pp., £14.99, September 2015, 978 0 241 00432 6
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... novelistic. In time-honoured fashion, Banville takes it from a canonical poem, nodding to Wallace Stevens (‘Things as they are/Are changed upon the blue guitar’). He dutifully sprinkles his text with other tags from Stevens: ‘things as they are’; ‘the thing itself’; ‘pale Ramon’. But though neat ...

At the Fondation Louis Vuitton

Eleanor Nairne: Joan Mitchell, 19 January 2023

... The exhibition opens with works from the 1950s, including Hemlock (named after a line from a Wallace Stevens poem) and Evenings on 73rd Street, both a mass of densely worked strokes against a nimbus of white paint, like scrawled writing on a piece of paper. John Ashbery described the way her ‘calligraphy, sometimes flowing, sometimes ...

Transcendental Criticism

David Trotter, 3 March 1988

The Renewal of Literature: Emersonian Reflections 
by Richard Poirier.
Faber, 256 pp., £14.95, March 1988, 0 571 15013 6
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... Literature is to establish what, or rather who, he has modified: among poets, Whitman, Frost and Stevens; among critics and theorists, John Hollander, Harold Bloom, Stanley Cavell, George Kateb, Richard Rorty and Sacvan Bercovitch. Strong claims are made for the validity of the Emersonian position – it represents ‘what literature is most often trying to ...

The Devilish God

David Wheatley: T.S. Eliot, 1 November 2001

Words Alone: The Poet T.S. Eliot 
by Denis Donoghue.
Yale, 326 pp., £17.95, January 2001, 0 300 08329 7
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Adam’s Curse: Reflections on Religion and Literature 
by Denis Donoghue.
Notre Dame, 178 pp., £21.50, May 2001, 0 268 02009 4
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... of Eliot’s Christianity, such as Harold Bloom and Helen Vendler, much prefer Yeats and Stevens. And as a glance at any anthology of 20th-century British poetry will show, the prewar voices most audible today belong to Auden and MacNeice. From the maudlin Tom and Viv to Peter Ackroyd’s unauthorised Life and Carole Seymour-Jones’s Painted ...

Paradise Lost

Nicholas Everett, 11 July 1991

Omeros 
by Derek Walcott.
Faber, 325 pp., £17.50, September 1990, 0 571 16070 0
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Collected Poems 
by Norman MacCaig.
Chatto, 456 pp., £18, September 1990, 0 7011 3713 4
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The Mail from Anywhere 
by Brad Leithauser.
Oxford, 55 pp., £5.95, September 1990, 0 19 282779 0
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An Elegy for the Galosherman: New and Selected Poems 
by Matt Simpson.
Bloodaxe, 128 pp., £6.95, October 1990, 1 85224 103 9
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... the process by avoiding paraphrasable meaning altogether. One need only point to the work of Wallace Stevens or John Ashbery to show how successfully some of it sustains our expectations while ultimately refusing to deliver the semantic goods. Having extracted a poem’s point, runs the usual defence of such teasing evasions, readers will have no ...

In Flesh-Coloured Silk

Seamus Perry: Romanticism, 4 December 2003

Metaromanticism: Aesthetics, Literature, Theory 
by Paul Hamilton.
Chicago, 316 pp., £17.50, August 2003, 0 226 31480 4
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... in his title, ‘My Crow’ (other Carver poems are called ‘My Boat’ and ‘My Work’). As Wallace Stevens put it in ‘The Plain Sense of Things’, ‘the absence of the imagination had/Itself to be imagined.’ Carver’s deft, paradoxical allegory joins a distinguished tradition of Romantic birds, at once their author’s property yet elusive ...

Diary

Frank Kermode: Jerusalem, 16 September 1982

... in the mind’s eye the frontier town of the other. You can feel like this about later cities, as Wallace Stevens (who had never been there) felt about Rome: The threshold, Rome, and that more merciful Rome Beyond, the two alike in the make of the mind. But Rome is only, in this respect, an antitype of Jerusalem. No other city answers so closely to the ...

Oldham

Frank Kermode, 22 May 1980

The Reign of Sparrows 
by Roy Fuller.
London Magazine Editions, 69 pp., £3.95, February 1980, 0 904388 29 8
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Souvenirs 
by Roy Fuller.
London Magazine Editions, 191 pp., £4.95, February 1980, 0 904388 30 1
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... poetry, working on it, will not quite destroy it; it makes the visible a little hard to see, as Wallace Stevens, early admired by Fuller, once remarked. Or, in another favourite Fuller locution, it ought to be not unimplicit, which doesn’t mean it shouldn’t be clear. I particularly like a poem in Buff, the volume of 1965, about a little ...

Extracts from Notebooks 1996-2006

Charles Simic, 10 May 2007

... used to read Emily Dickinson in the saddle, and the cops walking the beat carried a volume of Wallace Stevens in the pocket of their overcoats. The occupiers everywhere, I note, are outraged by the bad manners of the occupied that do nothing but complain about being mistreated. Sat up like a firecracker in bed, startled by the thought of my ...

At the Royal Academy

Anne Wagner: America after the Fall , 4 May 2017

... Inevitably – necessarily – art had a role in answering to destruction so widespread that Wallace Stevens described it in 1937 as a ‘generation’s dream, aviled/in the mud’. What had disappeared was not some past state of innocence: instead the decade of the 1930s produced paintings that showed the very idea of innocence to be a fiction, a ...

On Maureen McLane

Ange Mlinko, 10 May 2018

... Moore, an illuminating passage on Wordsworth’s ‘thinking hart’, a goofy anecdote about Wallace Stevens. (Harvard asked her for a yearbook quote; she gave them ‘Let be be finale of seem.’ ‘Well what is that supposed to mean?’ they asked. ‘I didn’t know and I don’t and I was ecstatic’ – fin.) One of the best things about My ...

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