At the NPG
Jean McNicol: ‘Virginia Woolf’, 11 September 2014
“... obscured, but the poses are characteristic. In 1931 Woolf agreed to sit for Bell and the sculptor Stephen Tomlin, ‘pinning me there, from 2 to 4 on 6 afternoons, to be looked at; & I felt like a piece of whalebone bent. This amused & interested me, at the same time I foamed with rage.’ In the resulting sculpture she looks alarmed and alarming, with ... ”