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Putin’s Counter-Revolution

James Meek, 20 March 2014

... crowd singing the Ukrainian national anthem, Ukrainian revolutionary rap, a video of a savage Rodney King-style assault by Ukrainian policemen on a defenceless civilian, and as much more in the same vein as your eyes can bear. If you replace ‘Maidan’ with ‘Banderovtsy’, the catch-all term opponents of the revolution use to refer to its activists ...

We were the Lambert boys

Paul Driver, 22 May 1986

The Lamberts: George, Constant and Kit 
by Andrew Motion.
Chatto, 388 pp., £13.95, April 1986, 0 7011 2731 7
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... dance no sarabande’) and reflective, modelled on Negro singing (particularly that of the Music Hall artist Florence Mills), but also close to Delius’s manner and what would be Walton’s in his 1931 Osbert Sitwell oratorio Belshazzar’s Feast; a dancing, hard-hitting orchestral style, somewhat anticipatory of Leonard Bernstein’s; and a marvellously ...

Strange, Angry Objects

Owen Hatherley: The Brutalist Decades, 17 November 2016

A3: Threads and Connections 
by Peter Ahrends.
Right Angle, 128 pp., £18, December 2015, 978 0 9532848 9 4
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Raw Concrete: The Beauty of Brutalism 
by Barnabas Calder.
Heinemann, 416 pp., £25, April 2016, 978 0 434 02244 1
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Space, Hope and Brutalism: English Architecture 1945-75 
by Elain Harwood.
Yale, 512 pp., £60, September 2015, 978 0 300 20446 9
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Concrete Concept: Brutalist Buildings around the World 
by Christopher Beanland.
Frances Lincoln, 192 pp., £18, February 2016, 978 0 7112 3764 3
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This Brutal World 
by Peter Chadwick.
Phaidon, 224 pp., £29.95, April 2016, 978 0 7148 7108 0
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Modern Forms: A Subjective Atlas of 20th-Century Architecture 
by Nicolas Grospierre.
Prestel, 224 pp., £29.99, February 2016, 978 3 7913 8229 6
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Modernist Estates: The Buildings and the People Who Live in Them 
by Stefi Orazi.
Frances Lincoln, 192 pp., £25, September 2015, 978 0 7112 3675 2
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Architecture an Inspiration 
by Ivor Smith.
Troubador, 224 pp., £24.95, November 2014, 978 1 78462 069 1
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... stone in the aggregate was calculated to harmonise with Somerset House, the Royal Festival Hall and Waterloo Bridge (which it still does, because unlike so many owners of Brutalist buildings, the NT actually cleans it), and about the complex process of creating its shuttered finish. This was painstaking: ‘Air bubbles which naturally cling to the ...

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