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“... the literary origins of the two Victorian poets, Ash and LaMotte. Ash descends (swervingly) from Robert Browning; LaMotte is compounded from (but again, not reducible to) Elizabeth Barrett Browning, Christina Rossetti and Emily Dickinson. (Byatt lectured on all these writers in the days when she taught in the English ...”

“... children survived to adulthood; and eight were left behind when the eldest escaped to Italy with Robert Browning in 1846 (two sons, including the father’s namesake, had died six years earlier). Moulton-Barrett did not attempt to hoard girl-children only, although the legend surrounding his daughter’s elopement has sometimes suggested that. The sex ...”

“... for the imagination in which we all have a shared stake. Like the other great Victorian poets, Robert Browning came of age as a writer vividly aware of the exciting powers of Romantic inwardness, which, like most of his contemporaries, he found a burden as much as a spur to new achievements. His early poems revolve about subjectivity in an ...”

“... Elizabeth Barrett Browning’s​ Sonnets, a pamphlet of just 48 pages, was once the holy grail of book collectors. Copies that came to light were, to quote one biographer, ‘literally worth … more than their weight in gold’: at auction on Madison Avenue in 1930 one fetched $1250 (around $23,000 in today’s money ...”

“... as a foil; more often, though, it wants to be foiled by pleasure. A hundred years later Barrett Browning had become a damsel famed in story. In 1934 Virginia Woolf observed that ‘“Lady Geraldine’s Courtship” is glanced at perhaps by two professors in American universities once a year; but we all know how Miss Barrett lay on her sofa; how she escaped ...”

“... in the year 1855, and the narration takes the form of letters written by a young American, Robert Booth, to his friend Professor Prescott, an authority on Theoretical and Practical Ethics. Booth, in retreat from rejection in love and a sense of his own failure in literature, has known at least one stroke of luck: he has become, he tells his ...”

“... of James Roper, Anna’s great-grandfather. This describes a trip to the Veneto in the company of Robert Browning and the love of his late years, Mrs Bronson. The diary explains that Roper married into the Italian family which was given the Bellini Madonna by the artist in the 16th century in lieu of a debt. It’s written in a style that’s perhaps ...”

“... and Gain, to say nothing of Modern Love and The Europeans, and – best of all and best used – Browning’s great poem of comedy and sadness, of hopes dished, ‘Youth and Art’. The allusions are child’s play for homo ludens. It is true that the decision to compile a compendium both does and doesn’t help with Wilson’s notorious difficulty in ...”

“... Papers makes the most responsible and unexpected use of Emily Brontë and of Elizabeth Barrett Browning. But it is Robert Browning who fails to furnish the one thing needed, and this is where the novel fails. The dramatic monologue, after all, grew out of the epistolary novel. Forster is writing essentially an ...”

“... to this history of ambivalence, in 1883 Beddoes’s entire oeuvre ended up in the care of Robert Browning. Browning had expressed to Kelsall, Beddoes’s executor, his admiration for the poet, and Kelsall, hoping that Browning’s influence might help in establishing ...”

“... weaves together the lives of the famous, the obscure and the forgotten. Elizabeth Barrett and Robert Browning plan their elopement. Samuel Rogers entertains the Gräfin Hahn-Hahn, a romantic novelist who has come to meet her English public and disappoints them by turning out to have false teeth and a glass eye. The painter Benjamin Haydon approaches ...”

“... imitation of Babbage’s machine printed the English Life Table No 3, of 1864. And that was that. Robert Browning remarked to Elizabeth Barrett that certain revisions Tennyson had made to his poems in deference to the critics were ‘much as if Babbage were to take my opinion – undo his calculating machine by it’. ...”

“... included verse in Middle English, Latin, Old French and Old English as well as the language of Robert Browning (‘Oh, to be in England’), Linton Kwesi Johnson (‘Inglan is a Bitch’) and T.S. Eliot (‘History is now and England’). I had got as far as setting out the rationale for such a book in a lecture at the British Academy when the Penguin ...”

“... to an occasional session of sweet silent thought, or even to the consulting of a concordance. Robert Browning, Luria, 1846 – I dedicate this last attempt for the present at Dramatic Poetry to a Great Dramatic Poet: ‘Wishing what I write may be read by his light’: if a phrase originally addressed, by not the least worthy of his ...”

“... of Blake, crucial to the development of aesthetic thought in the period. His allegiance to Robert Browning, recipient of several deferentially adoring letters in these volumes, was comparable, and became yet more fervent after his first meeting with ‘the glorious Robert’ in 1851. Gabriel was among the few to ...”