Solid and Fleeting
David Sylvester, 17 December 1992
“... It is interesting that Richard Serra, who is not short of offers of highly promising locations for which to make site-specific sculptures, accepted the Tate’s invitation to do something in their domineering central hall – a space ostensibly built for showing sculpture but serving that purpose rather badly, partly because it makes the things put into it look as if they were lost at the bottom of a well, partly because its huge Ionic columns dwarf other forms in the same field of vision ... ”