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“... There remains a most decided difference – indeed it grows wider every year – between what Philip Larkin calls ‘being a writer’, or ‘being a poet’, and managing to write something which will delight or amaze people without their having to respond to it in the context of poets and writers. Religion and other activities used to concentrate an audience by figuring in a non-literary context, and Blake or Emily Dickinson used religion, as they used the context of childhood responses, to appeal directly to an audience over the head, as it were, of literature ...”

“... offers 22 case studies, from John Donne – the first properly biographed English author – to Philip Larkin of last month’s Observer fame. Hamilton could not, if he tried, write an unreadable book. Keepers of the Flame is that rarest of modern things, lit crit with laughs. Hamilton has an unfailingly good eye for anecdote and a line in sarky ...”

“... be, Lawrence none the less succeeded, as we know, in exciting many of his readers. One of them was Philip Larkin, who always liked and admired Lawrence, considering him a criterion for the literary ‘non-bogus’. But Lawrence would not at all have cared for Larkin’s own use of the pornographic, in its higher or its ...”

“... Poetry and Poets, ‘can a book of criticism be at once so distinguished and so unimportant?’ Of Philip Larkin’s comparable and incomparable ‘miscellaneous pieces’, it might be asked: How can a book of criticism be at once so un-‘distinguished’ and so important? But then how can this Faber book of groans be so exhilarating? The open unsecret ...”

“... joys and sorrows go straight back to the early Romantics. He is not a bit like Hardy and Philip Larkin, who are often associated with him. No comparison could be more misleading. Their idiom is one of deprivation, of that pleasure in things going wrong, or never having been right, which has become so much a part of English culture and ...”

“... the Sovereign’s second choice, a useful consideration to be kept in mind should things go wrong. Philip Larkin had already given the honour a (possibly reluctant) thumbs-down: he was very ill. If there were question marks about Ted Hughes, they would have been to do with his reputation as a rebarbative cave-dwelling type, and as a connoisseur of bestial ...”

“... like Lowell and Berryman and Plath were integral to the English poetry scene, that writers like Larkin and Graves and Dylan Thomas seemed familiar voices in America. (And it was not so many years before that when Auden and Eliot managed to scumble the boundaries of nationality altogether, giving each country some legitimate claim to serving as the ...”

“... When Philip Larkin first met Kingsley Amis at Oxford in the early 1940s, he was appalled, he later said, to find himself ‘for the first time in the presence of a talent greater than mine’. Did he really believe this, or was he just measuring his own late adolescent bumptiousness? And what did Amis feel? According to his 1991 Memoirs, Kingsley found Larkin just a shade offputting ...”

“... so much the better.’ Yes, that’s authentic Pym, with the true depth of exuberance in it: what Philip Larkin accurately called her ‘innocent irony’ – innocent because not just seemingly innocent. In another writer it might be malicious or mechanical or just for show. In Evelyn Waugh or Muriel Spark the same kind of observation would have about ...”

“... In the midst of writing his biography of Philip Larkin, Andrew Motion was contacted by a spiritualist who claimed to have been speaking to Larkin in the Beyond; later Larkin sent a posthumous word of approval for the book. Could the cosmic wires have been crossed and could the spiritualist have been talking to Martin Seymour-Smith? For this massive biography of Hardy – or ‘Tom’, as Seymour-Smith chummily calls him – has the vehemence of divine revelation and the fervour of personal mission ...”

“... unpublished until 1977. In that year, two contributors to a Times Literary Supplement survey, Philip Larkin and Lord David Cecil, spoke so highly of her work as to effect a change in this situation. Three more novels by Barbara Pym were published, this time by Macmillan, who finally added to them in 1982 – two years after the writer had herself ...”

“... till after my father’s death in 2004. In it Heaney writes fondly of the meetings of the Group in Philip Hobsbaum’s flat: ‘There we would be sitting, aspirants all, young teachers, lab technicians, civil servants, research students, undergraduates, and Arthur, who … seemed to know every poem ever alluded to, from whatever language, [but] sat there among ...”

“... which marks him as originally associated with, among others, Thom Gunn, Elizabeth Jennings and Philip Larkin. No less than they, he has gone his own way and no purpose is served by hanging this historical label round his neck now. Even in its time it contributed more to publicity than to enlightenment. Robert Conquest, as editor of the group’s ...”

“... refusing all promotion while perfecting his poetic craft. Good behaviour and a friendship with Philip Larkin have allowed the image of Watkins as a hard-working, pleasant and largely irrelevant anachronism to prevail, and for poets and critics to forgive him, by forgetting how in the 1930s and 1940s, under the influence of Dylan Thomas, he was an ...”

“... One day a long while ago Philip Larkin dropped a remark in passing about the difficulties of his current private life. He made it in the form of a jokey generalisation about the impossibility of relations between men and women, and added that the women ought really to marry each other, but that would be wrong, wouldn’t it? I forgot the remark for over thirty years until I bumped into it as an observation by one of the characters in Kingsley Amis’s latest novel, Difficulties with girls ...”