At the British Museum
Peter Campbell: London 1753, 25 September 2003
“... pleasures are shown in black and white, for this is an exhibition dominated by engravings. Reynolds’s portrait of Garrick being tugged right and left by Comedy and Tragedy is here, but as a mezzotint. Hogarth’s work is represented in the form of drawings and prints, not paintings. The topography comes that way too. The Sandby watercolours (above ... ”