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“... which is awaiting it upon the cinema screen. Susan Hill’s The Woman in Black and William Peter Blatty’s Legion (‘The sequel to The Exorcist’) very neatly illustrate this parting of the ways. If Susan Hill’s ‘ghost story’ is not a pastiche, it is undoubtedly an essay in recreating the almost exhausted genre. We are back in that indefinable ...”

“... they don’t think. A little later in The Children’s Book, Philip Warren is walking on Romney Marsh, towards his favourite church, St Thomas Becket. He ‘knew little about Thomas Becket’, Byatt writes, ‘and did not know that the church was built on Becket lands’. Philip made his way from tuft to tuft of the ...”

“... proportionate and proving again that longueurs have less to do with length than with pace, which Peter Carey controls like a master, thwacking his prose along with all the exuberant free energy of a boy thwacking a hoop with a stick. To Herbert Badgery – funny man, raconteur and compère extraordinary of Illywhacker – the notion that a book might seem ...”

“... use of that fable in his second volume inevitably attaches a disabling reminder of the Dunciad to Peter Robinson and his assembled chorus of scholars. There is something cosy and desperate in their yawping enterprise. It could be that Ricks, in his essay ‘Tenebrae and At-One-Ment’, is deliberately baiting ‘the current scientism and theoreticity’, but ...”

“... He’s specifically referring to crime novelists – the likes of Dorothy L. Sayers, Ngaio Marsh, Margery Allingham, Agatha Christie – in an attempt to wrest the detective story away from the English suburbs and towards the grittier (and far more romantic) novels written by himself and Dashiell Hammett. An explanation of sorts had already been ...”

“... rows of concrete teeth waiting to snap at concrete tanks; pill-boxes marking the dykes on Romney Marsh. All this was scenery from that awesome drama in which Dad had only recently been an actor. And looking out at the grey, flat English Channel, which in that part of the coast retreats to a sullen distance at low tide, I would have a vision of the war as a ...”

“... the Durham Miners’ Gala, the Household Cavalry and the Morris Dancers of Much-Binding-in-the-Marsh. Lord Quinton, when told that I was proposing to sign in, described it as ‘pure Gilbert and Sullivan’. Lord Annan told me that his wife calls it ‘Noel’s play-group’. Lord Adrian told me that I would find it like a prep school. And I remembered ...”

“... cooking of flesh and fish, ‘the relics of putrefaction thereof running through the streets’. Marsh fever, blamed on the bad air around stagnant water, became known as ‘mal’aria’. The best remedy, Tryon thought, was to retreat to the countryside, where one could breathe ‘good smells and clean, thin, sweet airs’. Failing that, he recommended that ...”

“... his worst stuff on the Georgians, to whom he attached himself through the early influence of Eddie Marsh and Edmund Gosse (correspondingly they did not much care for the raw tone of his war poetry). But it was Sassoon’s own inclination to look back to lost worlds and the happy days of his youth that kept him so stubbornly hostile to T.S. Eliot and to ...”

“... taste of the new fastidiousness. Lawrence’s critics, on the other hand, are rarely fastidious. Peter Balbert’s challenge to feminist ‘misreadings’ of Lawrence, for example, is nothing if not combative. Balbert insists that the ‘seminal’ doctrines of the ‘phallic imagination’ have been seriously misrepresented by the (presumably ...”

“... that source: deflected by Auden’s idiom towards psychological theorising, he allows the poem to peter out with talk of how ‘the lonely and unpopular’ can rediscover at the museum ‘the landscapes of their childhood’; the attraction of the Pitt-Rivers is reduced to nostalgia for dusty childhood boxrooms. When he attempts a similar accumulation of ...”

“... centre for the neighbouring farms. Most of the farmland, abandoned and neglected, had reverted to marsh and had once been a halting place for myriad birds. Every summer house had, still, in cupboard or basket or bookcase, worn copies of Roger Tory Peterson’s Field Guide to the Birds. Then the village people had called in the mosquito-control people. Now ...”

“... for a surrogate mother in every relationship,’ says Elizabeth Sweeting). His ‘marriage’ to Peter Pears, begun shortly after Mrs Britten’s death, may be partly understood in this light (Pears’s singing voice, it was noted, was uncannily similar to Mrs Britten’s), as may his lifelong willingness to be looked after, sometimes dominated, by a series ...”

“... tenner to be identified, and quite quickly identified, as having its own inimitable aroma. Eddie Marsh, writing of Rupert Brooke in 1918, says ‘he entertained a culte for the literature that is now called “ninetyish” – Pater, Wilde and Dowson.’ Almost as soon as a decade became a label, there were people who did not wish to have it stuck to them ...”

“... In ‘Description’, the opening poem in Atlantis (1995), Doty details the features of a salt marsh, in six stanzas, then pauses: I could go on like this. I love the language of the day’s ten thousand aspects, the creases and flecks in the map, these brilliant gouaches. But I’m not so sure it’s true, what I was taught, that through the ...”