Lennon’s Confessions
Russell Davies, 5 February 1981
“... the allusion to songs about people in concrete flats seemed an unnecessarily explicit rejection of Paul McCartney, whose favoured vein that had sometimes been, in songs like ‘Eleanor Rigby’ and ‘Penny Lane’. McCartney’s compassionate tableaux and jaunty ballads, to be sure, were usually light and occasionally trite as well, but they were at least ... ”