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“... return to the Paris whorehouses, and four years later we find him roaming the late-night city with Michel Leiris, the brightest and most desperate of his Surrealist friends – ‘Picasso usually made out. Leiris usually failed.’ (‘He was only five foot three/but girls could not resist his stare/ Pablo Picasso/never ...”

“... rebelled against their controlling impresario, André Breton: Georges Bataille, Roger Caillois, Michel Leiris. It has pondered the theory of the sign, foregrounded photography and helped to install Peter Bürger’s 1974 essay ‘Theory of the Avant-Garde’ (translated into English in 1984) as a founding text of alternative cultural ...”

“... and Ecole Normale classmate Maurice Merleau-Ponty (who left the journal a few years later), and Michel Leiris, ethnographer, Africanist and bullfight theoretician. There wasn’t a major issue that Sartre and his circle didn’t take on, including the 1967 Arab-Israeli war, which resulted in a monumentally large edition of Les Temps modernes – in ...”

“... Michel Foucault, for once and for now, may stand aside: who is the Raymond Roussel about whom he wrote this, his one real essay into literature? Roussel was a writer, of sorts, of the early 20th century; a man both glamorously rich and mentally odd. His money he spent to the hilt in the furtherance of his oddness, for Roussel laboured to write the most uncommercial works and then paid to have them published ...”

“... back down, and his range of reference is unselfconsciously blokey if Warhol, Beckett, Burroughs, Michel Leiris and Friedrich Kittler qualify as blokes. ‘What worries​ me,’ Beckett wrote in a letter after reading Robbe-Grillet’s La Jalousie, ‘is all his own theorising, but the result belies it.’ I can’t help feeling similarly that ...”

“... or playing with them?Pan-Africanists, like the negrophiliac Surrealists and sousréalistes (Michel Leiris, Georges Bataille and the Documents group), deployed Africa against the imperial metropole, but Baker was being put to the opposite use. She was picked as queen of the 1931 Colonial Exhibition, whose display of native peoples made Paris the ...”

“... to understand the other; in L’Afrique fantôme, for example, we learn far more about its author, Michel Leiris, than we do about Africa. Contemporary exhibitions such as Surrealism beyond Borders at Tate Modern and Surrealism and Us: Caribbean and African Diasporic Artists since 1940 at the Modern Art Museum of Fort Worth, Texas suggest that the ...”

“... but for short short stories; and whose reputation as a translator (Swann’s Way, Madame Bovary, Michel Leiris) rivals her reputation as an author – should have produced 1100 pages of craft talk? Or is the capacity for craft talk a symptom of scruples functioning as creative constraint? ‘This was the sort of question I typically spent some time ...”

“... Y lags behind, cramming a chunk of bread into his mouth. Even the novel’s letters eat and crap. Michel Leiris, another contributor to the ‘Critical Dictionary’, describes in Scratches eating alphabetti spaghetti as a child; eating too much, and being sick; watching the dented letters fall back from him: far from being a tool for refining the world ...”

“... that assertion with plentiful details of the engagement with Roussel’s work of Cocteau, Desnos, Leiris, Soupault, Picabia, Duchamp, Breton, Aragon, Queneau, Perec, Robbe-Grillet, Foucault, Calvino and Ashbery (who contributes a foreword to Ford’s book). ‘I abandoned myself, out of my depth, in the Gulf Steam of your fantasy,’ André Gide wrote to ...”

“... Beckett, Breton, Kafka (the first English translation of ‘Metamorphosis’, again by Jolas), Michel Leiris, Henry Miller, Anaïs Nin, Herbert Read, Soupault and Jolas himself. Glancing through its faded and disintegrating back issues or reading Dougald McMillan’s transition: The History of a Literary Era 1927-38 (1975), one finds an astonishing ...”

“... love. Beauvoir and Sartre set up a journal, Les Temps modernes (named for the Chaplin movie), with Michel Leiris, Merleau-Ponty and Raymond Aron on the editorial committee, and she went to the Ministry of Information to beg for a quota of paper. The Blood of Others came out, the first issues of Les Temps modernes were published, her play, Les Bouches ...”

“... by a legion of administrator-anthropologists and foreign travellers like Marcel Griaule and Michel Leiris, who flesh out the myth – which is then taken to a new level, as erotic as political, by photography, Leni Riefenstahl among the Nuba and the increasing popularity of National Geographic. In the postcolonial era, and especially with the ...”

“... his own literary papers, depositing various manuscripts with his financial adviser, Eugène Leiris – father of Michel – not all of which have come to light. By the time of his departure for Sicily, however, Roussel seems to have lost interest in his literary career. Though he tidied up many personal affairs, and ...”

“... to prove; she could write about anything. She decided to write about herself. She was inspired by Michel Leiris’s Manhood, which had just been reissued in Paris with a new introduction comparing writing to bullfighting (the torero and the writer need the same kind of courage). She would write a confession. Thinking about the project, she realised she ...”