At the National Portrait Gallery
Peter Campbell: Wyndham Lewis, 11 September 2008
“... status and reputation, rather than of how they looked at a particular time. In the catalogue Paul Edwards compares one of Lewis’s self-portraits to Droeshout’s engraving of Shakespeare. The juxtaposition is telling. In both in the engraving and Lewis’s portraits cheeks, nose, chin and eyelids read as sculpted volumes rather than soft, mobile flesh. You ... ”