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“... most people would also have had one or more religious pictures in their house, usually of the Madonna or Christ and often of very modest artistic quality, so the evidential value of surviving pictures of this type for the state of painting in particular centres is limited. There was also a substantial amount of painted decoration in public buildings, such ...”

“... the Tuscan church where Piero della Francesca painted his fresco of the pregnant Virgin Mary, the Madonna del Parto. But the scene wasn’t shot there. James Macgillivray, in his contribution to a new volume of essays edited by Nathan Dunne, tells us that Tarkovsky had a reproduction of Piero’s painting installed in the crypt of another Romanesque church ...”

“... until 22 February. The artist’s most famous works (the Birth of Venus, the Primavera and the Madonna of the Magnificat) are not included and there isn’t a single altarpiece, but half a dozen of his greatest paintings are here. After pondering some early, damaged paintings of the Madonna and Child you meet the great ...”

“... pressing in art history than that of explaining such development. How do we get from Cimabue’s Madonna Enthroned to Raphael’s Alba Madonna, or even from Brunelleschi to Bramante? And why do such changes occur? Of course development need not imply progress. Progress must by its nature be relative to a specific end or ...”

“... and to provide a sufficient context to understand such a provocative book as Mother, Madonna, Whore. Though listening, for some reason, is something psychoanalysts have written little about, this is clearly a book written out of an impassioned listening to people with frightening stories to tell: and for a serious psychoanalytic book it has a ...”

“... and the effect of his reds and yellows (blue he avoided whenever he could, even when painting the Madonna) remained remarkable, but his interest in local colour, and in pleasing the eye, gradually diminished. The lighting which he now favoured is unlike any which can easily be observed, indeed its source cannot usually be identified and was not of interest to ...”

“... in the 15th century’. He baptises it (rather late in its public life) as the ‘Volterra Madonna’ and it is catalogued as ‘definitely autograph’. It has long been thought that the painting was made by more than one artist, however, and in the related exhibition, Verrocchio: Sculptor and Master of Renaissance Florence, at the National Gallery of ...”

“... Nothing became her life like the remaking of it, but there were so many remakes. The latest stars Madonna, but the earliest starred Eva María Duarte herself. Or was that María Eva Ibarguren? She was María Eva Duarte de Perón on her marriage certificate, but then she also took three years off her age on that occasion ...”

“... of The Miracle. It was produced by Max Reinhardt, with Lady Diana Cooper as the statue of the Madonna and Tilly as the nun who was seduced by a knight and ran away with him. The statue of the Madonna comes alive, steps off her pedestal, dons the nun’s discarded veil and assumes her duties. The Mother Superior accuses ...”

“... that you can get high and still work.’ How they laughed! All this is small beer compared with Madonna: I had met many stars. At 17 I had sat with David Bowie downstairs at the Embassy Club and been lectured on the mystical potential hidden in the number seven. At 18 I had dined at La Coupole in Paris with Andy Warhol and Bianca Jagger. I had sniffed ...”

“... into a whorehouse; I mean, our anticipation and sinful joy At the prospect of such a feast. Fake Madonna Biting your nails, and you, too, Doc, Shaking hands all around, get over here! Our quarters are cramped, but we can all fit If we sit in each other’s laps. It’ll be Like a seance and we the twelve psychic crime solvers. Mr Undertaker, and you Mr ...”

“... of the Frari: Giovanni Bellini’s triptych, Titian’s Assumption of the Virgin and his Pesaro Madonna. An art historian by training, and somewhat less at ease with texts, Professor Goffen is at her best when, following the example of David Rosand, she discusses the relation of the paintings to their physical context in the Frari, emphasising what it might ...”

“... to an enthralled Herbert and Mary Gladstone the project of his great history of liberty, his ‘Madonna of the Future’, as he called it, Lord Acton was courting nemesis. For ‘moonlight’ his detractors have tended to read ‘moonshine’. His defenders have countered the impression that he wrote no history by representing that in fact he wrote a good ...”

“... scales and perspectives were unprecedented in the history of altar painting. The front showed the Madonna and Child in a heavenly court of saints and angels; the reverse told the Life of the Virgin and the Life of Christ in 43 distinct panels. The Maestà was sawn apart at the end of the 18th century and the panels dispersed into different collections; this ...”

“... gazes into the landscape, her hand at her mouth, children folded around her like a Renaissance Madonna, is famous partly because it was immediately put into the public domain. The rest of her work is mostly hidden away in the Oakland Museum of California. (I could scream when I think of what happens to women artists’ archives: burned like ...”