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“... the modernised one like Gielgud or Prince Charles. The same or very similar modernised texts in Katherine Duncan-Jones’s scholarly and accessible new edition seem perfectly presentable on their own, but in Vendler are often destabilised by their immediate adjacency to the Quarto texts. Duncan-Jones prints ‘And burn the long-lived Phoenix in her ...”

“... to exploit the atmospheric possibilities of colour as well as the relaxation of taboos, or that Katherine Schofield as Nana actually bared all, thereby introducing BBC 2 classic serials to an entirely new audience. The Year of the Sex Olympics was one of two striking cautionary tales (the other was Wine of India) in which Nigel Kneale used the imaginative ...”

“... are exchanged, but the value by which they are exchanged; the use of money is to buy goods, and silver while money is of no other use.’ Law proposed land – valued as a multiple of its annual rent – as the basis for a public issue of paper notes to Scotland’s lairds, based either on a notional proportion of each laird’s lands, or by mortgage or ...”

“... is unaccountable. Christmas roses, ‘the lovely buds like handfuls of snow’; ‘the powerful, silver-pawed cypress tree’; ‘In the silence, it seemed he could hear the panther-like dropping of infinite snow’; ‘the flat unfinished world running with foam and noise and silvery light, and a few gulls swinging like a half-born thought’. Yet Lawrence ...”

“... was ironical, for Waugh’s grand friends all thought it rubbish. Waugh told Ronnie Knox that Katherine Asquith ‘had detested the book to the end and beyond, and said the characters did not exist either in real life or faery,’ adding sadly that he had after all ‘grown up in Metroland, and didn’t know any other world except at secondhand or at a ...”

“... be organised also includes people dressed in simulated buckram and taffeta and the gleaming mock-silver of property breastplates and crowns, all of them borrowed from the second-best wardrobe of the Royal Shakespeare Company in order to deck out students and members of local amateur dramatic societies as representative characters from each of Shakespeare’s ...”

“... the architect of the match, Thomas Cromwell, who is beheaded on the very day his king marries Katherine Howard, niece of Cromwell’s arch-enemy the reactionary Duke of Norfolk (who in Mantel’s version resembles an ungenial version of Sir Ector in T.H. White’s Sword in the Stone). As Thomas Boleyn, Anne’s father, puts it in The Mirror and the ...”

“... of urban fear return with spectacular fury. ‘It’s conceivable that bin Laden et al have put a silver stake in the heart of the “downtown revival” in New York and elsewhere. The traditional central city . . . is not dead yet, but the pulse is weakening.’ Bender is particularly concerned about the dangers of political fragmentation and ...”

“... With its deliberate exploitation of the ‘uncanny’ link between a dangling climber and a silver monkey pendant, it strays into Poe’s territory. But ‘Running down’, the most substantial story in the collection, changes from an equally sober memoir of old university acquaintances into pure Frankenstein. The accident-prone undergraduate has become ...”

“... visit me. She was wearing a huge ring, made, she said, from a 14th-century Portuguese sailor’s silver buckle and an aquamarine which Ottoline Morrell (Henrietta called her ‘Ot’) had given to her grandmother, who had given it to her mother, who, Henrietta said, ‘found it in a drawer among dirty socks, put it in an envelope which she didn’t ...”

“... Everyone seemed to agree on the semiotic message given out by Florida’s Secretary of State, Katherine Harris, who appeared in Nancy Reaganesque red suits, blue eyeshadow and false eyelashes, and was roasted by the American press, with one especially cruel review from Robin Givhan in the Washington Post: ‘She took fashion – which speaks in ...”

“... to submit his own plate, now in its ninth state as he sought for perfection, capsized the project. Katherine Cassatt, Mary’s mother, certainly knew whom to blame. Degas, she wrote, ‘got them all to work for [the journal] so that Mary had no time for painting and as usual with Degas when the time arrived it appears he wasn’t ready … Degas is never ready ...”

“... of picture or painting ... a delay in glass as you would say a poem in prose or a spittoon in silver.’ Paz says the Large Glass is ‘the last really significant work of the West ... Our tradition ends with it. That is, the painting of the future needs to start with it and against it.’ Since many people have seen in it nothing but an elaborate ...”

“... Charles I raised his droopy standard at Nottingham on 22 August 1642, by seizing most of the silver plate the Cambridge colleges were sending off to the king. Unlike the other leading Parliamentarians, Essex and Fairfax and Montagu, from first to last Cromwell was all for absolute victory. As a cavalry commander, he immediately cut a dash. Both at ...”

“... the tenements around as workshops, stables and an inn. Inventories paint the picture: tableware of silver and gold, Venetian glass, mother-of-pearl, tapestries portraying the journeys of Ulysses and the discovery of Newfoundland; the countess herself, tall, stately, wears ermine, tawny damask, black satin and black velvet. Looking to her last end, Margaret ...”