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“... in revolt against an empire, a legend which is retold in narratives by Napoleon Bonaparte and Jorge LuisBorges, although it is never made explicit in the Voyages Extraordinaires. The prophet becomes an oppressor in the course of his revolt. This means (and the same is true for Williams) that Verne’s archetypal ...”

“... enigmatic, sometimes charming, always full of poetic intensity. In his preface to this volume Jorge LuisBorges refers to ‘a certain restrained sorrow, a certain preference for the visual, a certain lightness of stroke’, and calls these qualities ‘essentially Japanese’. This describes well the texts that ...”

“... fine writer of the older generation, who amply deserves the endorsement which she receives from Borges’s brief but laudatory preface. That she is a woman writer, who was born in Chile in 1910 and died as recently as 1980, puts her beyond doubt among those whom the dust-jacket terms ‘the precursors of a modern feminist sensibility, a new kind of writing ...”

“... alone were Lisbon, Buenos Aires, Dublin. The writers were Fernando Pessoa, born 1888, died 1935; Jorge LuisBorges, born 1899, died 1986; Flann O’Brien, born 1911, died 1966. Each of them was brought up not only in a shadow country and city, or a place that felt as though it lived now in the shade, but also with two ...”

“... appearing in English, so that her name could be added to that of Gabriel García Márquez and, um, Jorge LuisBorges, and a decades-old phenomenon combining certain characteristically Post-Modern elements with certain characteristically Gothic elements could be given the rejuvenating moniker ‘magic realism’, and the ...”

“... Jorge​ Luis Borges’s visit to the Home of Golf in 1971 is still remembered. Edwin Williamson devotes a page of his 2004 biography to the event, calling attention to Borges’s wish to recite Scottish Border ballads while in St Andrews, and to stand alone beside the North Sea ...”

“... shepherd-poet Miguel Hernández, admired in Spain but ignored elsewhere. Lorca’s some-time lover Luis Cernuda could have mounted a serious poetic challenge, but he suddenly rejected Modernism, and his poetry, always lugubrious, became prosaic and discursive. Jorge Guillén, who knew Lorca well, was a fine poet, but his ...”