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“... in general. The past itself is alterable, since the future casts it in a new light. Whether John Milton belonged to a species which ended up destroying itself is up to us and our progeny. The future possibilities of Hamlet are part of the play’s meaning, even though they may never be realised. One of the finest English novels, Samuel Richardson’s ...”

“... sections on the Putney Debates. In 1938, a new edition of the debates was published by A.S.P. Woodhouse, with a foreword by the radical Oxford don, A.D. Lindsay, who had stood in a famous by-election that year as an anti-Tory candidate. Woodhouse’s version gave life and spirit to the debates, and became popular ...”

“... of itself,’ he says in his Study of Thomas Hardy, a sentiment which might have been uttered by John Stuart Mill himself. But what Lawrence meant by ‘self’ was not to be confused with the ‘cheap egotism’ of the ‘self-conscious little ego’ described by modern individualism. ‘I know that life, and life only, is the clue to the ...”

“... names and now meaningless events: Yesterday I introduced James to Mrs Inman; – in the evening John Bridges returned from Goodnestone – and this morn before we had left the Breakfast Table we had a visit from Mr Whitfield, whose object I imagine was principally to thank my Eldest Brother for his assistance. Poor Man! – he has now a little intermission ...”

“... much in the book to justify it. It is an impressively learned, scrupulously detailed study of John Cleland, author of one of the most salacious pieces of fiction in the English language; but it is no disrespect to Hal Gladfelder to wonder whether the Johns Hopkins press would have been quite so eager to take on an erudite study of an obscure 18th-century ...”

“... Margaret. Much of the very best recent criticism of Jane Austen has been in essays (those by John Bayley and by Peter Conrad stand out) but there is one brilliant full-length study, Roger Gard’s Jane Austen’s Novels, that serves as the best possible introduction to her work. And Gard does notice Margaret: he calls her ‘the one completely ...”

“... Lucilla. We believe in her. She is a genius. In nothing important is she a fraud. She is no Emma Woodhouse (though she is clearly a genealogical descendant): enlightenment never comes, because it is never needed. Q.D. Leavis, who saw Oliphant as the bridge between Austen and Eliot, regarded Lucilla as ‘a triumphant intermediary between their Emma and ...”

“... against the darkness.’ If all that stands between us and the darkness is Huck Finn and Emma Woodhouse, our condition must be dire indeed. Brooks is the latest in a line of critics from Coleridge to I.A. Richards for whom art, given what they see as a sterile political landscape, is an ersatz form of insight and fulfilment. Reading Henry James isn’t ...”

“... of any literary stature were only too aware of the tradition of publishing correspondence. John Evelyn, for example, arranged his manuscript letter books to resemble a collection on the classical model. The privacy of the letter was a vexed issue. Once cast into the mailbag it was lost to the sender but might never arrive: ‘I am very uneasy about the ...”

“... trouble in drumming up a fan club. Satanism is in this sense just the flipside of suburbia. As John Carey has observed, the grotesque freaks who populate the fringes of a Dickens novel represent the sadistic vengeance which the text wreaks on its own decorous middle-class story-line. Nobody would ask Oliver Twist to dinner if they could hook Fagin ...”

“... husband’s poems. In such cases writing does in a sense become a ‘genuinely social activity’. John Clare’s dealings with his publisher Taylor provide a variation on this theme. Clare’s peculiar circumstances resulted in revisions that were necessarily ‘social’, but modern editors have a persistent tendency to revert to the earliest unsocial ...”

“... of Meriton; that the ‘considerable sum’ Mrs Norris gave William Price was one pound; that Mr Woodhouse survived his daughter’s marriage, and kept her and Mr Knightley from settling at Donwell, about two years; and that the letters placed by Frank Churchill before Jane Fairfax, which she swept away unread, contained the word ‘pardon’. Of the good ...”

“... name of a fictional spy? Why couldn’t Fleming have used another pair of common monosyllables – John Clark, say? Bond is a solid, blue-chip, faith-giving kind of a name. Who wouldn’t prefer a government Bond under their mattress (we’re talking AAA British) to a petty clerk? Is your word your clerk? I don’t think so. Bond. It’s in the name. More than ...”

“... without any irritable reaching after fact & reason’. In a letter of 1818 to his friend Richard Woodhouse, Keats describes it like this:When I am in a room with People if I ever am free from speculating on creations of my own brain, then not myself goes home to myself: but the identity of every one in the room begins to press upon me that, I am in a very ...”

“... and editors. Other leading figures also do both, including, in this country, Christopher Ricks and John Carey. But most critics in good repute don’t seem to want to edit, and wouldn’t be any good if they tried. The provocative element in McGann’s position for them will be his serious belief in the centrality of the role of the editor. He goes back to the ...”