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“... seen at first sight’ was another of his aphorisms, one that he borrowed from Gotthold Lessing or John Opie, magpie that he was. ‘Every glance is a glance for study,’ he also said. The scene in Rain, Steam and Speed is of an imminent death, the instant of an action caught by a glance. A train rushes across a bridge and is bearing down on a hare that’s ...”

“... in modern art. Reading Gaston, I was reminded repeatedly of paintings by Lawrence Alma-Tadema and John William Waterhouse. Pater’s interest in these works might help us to understand their appeal not only to his contemporaries, but to audiences today. Queen Margaret of Navarre is first mentioned in the novel with a Greek quotation that links her to ...”

“... how this ‘Moriarty of the book world’ met his match in a duo of intrepid young book dealers, John Carter and Graham Pollard, whose investigation is ‘worthy of fiction’. The ‘impossibly debonaire’ Carter, with his immaculately pressed Savile Row suits, could easily be a real-life counterpart of Dorothy L. Sayers’s fictional sleuth Lord Peter ...”

“... biographies and T.H. Huxley not so many fewer, yet Smith has been celebrated only by his nephew John Phillips in 1844 (Phillips was later to be a distinguished geological professor at Oxford). Since then, there has been a handful of scholarly articles by Joan Eyles, but otherwise Smith seems to have escaped the attention lavished on those who followed and ...”

“... her. The scene of the rescue, with both prince and princess practically naked, caused the prudish John Ruskin, a friend of MacDonald’s, to chide him for impropriety and moral danger, but MacDonald seems on this occasion to have taken an honi soit qui mal y pense attitude. Anyhow, the princess is so delighted by the experience that she and the prince ...”

“... catching the light in a different way, or note the yellow tunic of the figure I supposed to be St John with what felt like fresh, or better, vision. I wondered if the new emptiness that had fallen on the city had somehow added clarity to the art. As a good Catholic, I like the Crucifixion; indeed, I prefer it to the Resurrection, which always seems a bit too ...”

“... of Manchester’s cultural past. Mr Thompson didn’t quote Engels. Nor, understandably, John Ruskin: ‘Manchester can produce no good art, and no good culture.’ Despite the presence at the press conference of John Thaw (alias Inspector Morse), the good news announced at the Airport failed to make the front ...”

“... this sense, Marx’s work belongs to an aesthetic critique of capitalism running from Schiller and John Ruskin to William Morris and Herbert Marcuse. Unlike most realists, Marx does not see art as precious because it reflects reality. On the contrary, it is most relevant to humanity when it is an end in itself. Art is a critique of instrumental ...”

“... none of that, and it is very bad (differently bad) if this is because they pinioned his arms. John Ruskin wrote to Charles Eliot Norton: ‘So, I know perfectly well that you would work for five years, to write a nice life of me; but I don’t care about having my life written, and I know that no one can write a nice life of me, for my life has not ...”

“... In​ 1993 the soothsayer John Major advised that fifty years hence Britain ‘will still be the country of long shadows on county grounds, warm beer, invincible green suburbs, dog lovers and pools fillers’. Still? That suggests these properties were extant in 1993. And maybe they were, somewhere. The optimist premier equated country with county, with his native patch, Surrey, where the past is never dead but constantly honoured in reproductions of varying degrees of happy bogusness ...”

“... This went badly awry. ‘If a noble family cannot rebuild their own castle,’ thundered John Ruskin, ‘in God’s name let them live in the nearest ditch till they can.’ The popular view that stately homes were part of the national heritage was now challenged by the Radical view that they were the national heritage, wrongly ...”

“... to Nietzsche at several places in this book, and oftener still to another 19th-century fulminator, John Ruskin. The Veronese essay concludes by hailing the pair as ‘necessary madmen’. Imagine an authorial stance that straddles the two: one that tilts here towards the impassioned granularity of Ruskin’s ...”

“... greed. Even some of the 19th century’s best-known bibliophiles, among them Henry Bradshaw and John Ruskin, were not above dismembering books to see how they were made or to snip out attractive miniatures. Collages and ‘leaf books’ (composites made of folios sliced from disparate manuscripts) enjoyed a late Victorian vogue. Today, priceless books ...”

“... of a scruple that finds its red line somewhere between marriage and the marriage bed. (Yes, John Ruskin, but this, we’re given to understand, was Vollman’s second wife.) What’s really odd is Vollman’s need to explain a 19th-century wedding in terms meant to flatter a 21st-century sensibility. When Vollman says: ‘I know what you are ...”

“... fuming China hoary,/That on thy orient rug celestial lay/Thy coat a web of treasure manifold!’ John Ruskin had rounded on Bradley for her adoration of dogs as early as 1877 (at that time, she had renounced God in favour of a Skye terrier): ‘It’s so ineffably ridiculous! … I scarcely know how to deal with you – you are too stupid! … I love ...”