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“... political life’. The writers Inglis presents under this rubric are William Morris, T.H. Green, John Maynard Keynes, R.G. Collingwood, F.R. Leavis, George Orwell, Adrian Stokes, Tony Crosland – as he calls him – Richard Titmuss, Richard Hoggart, Raymond Williams, John Berger, E.P. Thompson and Isaiah Berlin. If ...”

“... that the sketches had a ‘force of sensation’, but found the finished oils a ‘bore’. John Berger took the opposite view, that the completed works were rich in brilliant light effects, but the sketches were weakened by vague Romanticism. More recent left-wing critiques, especially since John Barrell’s The ...”

“... or stone. Some see in this detail the physical expression of a kind of warts-and-all truthfulness. John Berger says in his introduction: ‘When I first looked at these photographs I dismissed them as derivative ... something stronger drew me back ... I like to think it was a recalcitrant response to their truthfulness.’ The truth he sees is essentially ...”

“... of art address the spectator in a way that particularly demands a first-person response. Thus, John Berger in Success and Failure of Picasso evokes the experience of three pictures from the Thirties like this. (The sentences are interleaved with the relevant illustrations.) ‘The effect is magical; it is as though we, looking at these ...”

“... in one of his late poems.In Notebook of a Return to My Native Land, his most celebrated poem (John Berger and Anna Bostock’s reissued translation omits the first three words of the title), Césaire is unsparing about Martinique. The Antillean islands are ‘pitted with smallpox’ and ‘dynamited by alcohol’. His home town is ‘inert’ and ...”

“... it, producing not only Rockwell, Guest and the Saturday Evening Post but also Georges Simenon, John Steinbeck and the New Yorker (‘high-class kitsch for the luxury trade’). With kitsch running wild, like the capitalism which propelled it, authenticity needed defending. For nearly fifty years, Greenberg shouldered the task, separating good art from bad ...”

“... and sculpture undermined art’s humanity. ‘Painting is made out of a love for the subject,’ John Minton repeatedly told his students at the Royal College of Art, in defiance of an abstract tradition that had resurfaced with Victor Pasmore’s 1948 abstracts. Pasmore became a leading member of the Constructionists: abstract artists who abandoned nature ...”

“... player of the year would be depressingly more expensive than the best novelist.) Only once, with John Berger in 1972, has a winner been graceless enough to allude publicly to the source of the prize-money in black men’s sweat. Booker judges change every year and the one stable element is Martyn Goff, the éminence grise of the panel which chooses the ...”

“... as though they meant it, as though they meant it to matter ... Samuel Beckett (of course), John Berger, Christine Brooke-Rose, Brigid Brophy, Anthony Burgess, Alan Burns, Angela Carter, Eva Figes, Giles Gordon, Wilson Harris, Rayner Heppenstall, even hasty, muddled Robert Nye, Ann Quin, Penelope Shuttle, Alan Sillitoe (for his last book only. Raw ...”

“... of its maturity’, without trying to find validation for that style in personal tragedy, as John Berger apparently did. For Berger, Hyman writes, ‘the late nudes were the sole redeeming component in an oeuvre otherwise “intimate, contemplative, privileged”; it was the “tragedy” of his relationship with ...”

“... goes more smoothly. We are given the necessary information about the likes of Hockney, Ted Hughes, John Berger, Germaine Greer and Noam Chomsky. Structuralism and Post-Structuralism (‘a logical enough outcome’) are briskly explained, Barthes, Lacan and Derrida rush by, Foucault and Althüsser get a rather breathless mention as part of the ...”

“... best-selling writers, their business is not in the main literary, and in 1972 the prizewinner, John Berger, made a speech in which he expressly deplored what he regarded as the exploitative nature of the donor’s principal interest; indeed he gave half his prize to a revolutionary movement. Other writers have shown some embarrassment but have not, so ...”

“... and compelling fiction – flourish in Holland in the 17th century? A simple answer is supplied by John Berger. The world in European realist art is ‘rendered up to the spectator owner’. There is an emphasis on the tactile, and the framed easel picture, conceived of as a window or a mirror, is also like ‘a safe let into the wall, in which the ...”

“... with the arts. Elizabeth David, friend of Norman Douglas, is eternalised in the lovely icon of John Ward’s drawing, the epitome of chic in her companionable kitchen. M.F.K. Fisher is just as beautiful. Her most beloved husband was a painter, and her books are so instinct with upmarket bohemianism that it is no surprise to find her in a cameo role in the ...”

“... the capitals of Europe. When I took on these attitudes I was writing a book full of admiration for John Clare as a local poet, and I was learning to admire Constable as, principally, a local painter. But to be modern was to be metropolitan; and to be a ‘local’ anything in the 1960s, even for musicians in Liverpool, was to have missed the bus to London. So ...”