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“... was in essence a heavy-breathing version of the noir fix on Los Angeles which began in 1934 with James M. Cain’s The postman always rings twice, surging through Chandler, Faulkner, film noir, the extraordinary novels of Chester Himes and on towards Rechy, Didion and Bret Easton Ellis. Davis acutely points out that noir – dystopian revulsion at the ...”

“... opposite Eel Pie Island, then sit for a while in the gardens of Orleans House, the octagon by James Gibbs c.1720, and all that remains of the house lived and entertained in by Caroline of Ansbach. The garden has some tall trees, the upper branches of which are alive with bright green and yellow birds which twitter like hawks. I look them up when I come ...”

“... for more than flashes of self-revelation. More recently, we have the eccentric cameos of Richard Cobb and causeries of A.J.P. Taylor, of which he said they were evidence that he had run out of historical subjects. In all, in the genre for which it seems so well designed, the craft of the historian has yielded perhaps only two classics – Gibbon’s graceful ...”