Search Results

“... Bulwer-Lytton himself had inaugurated the fashion for this brand of crime fiction with Paul Clifford (1830), and restrained the tendency to verbosity and false pathos that marks his other fiction. He believed, he wrote in an essay of 1838, that in the portraiture of evil and criminal characters lies the widest scope for an author profoundly versed in ...”

“... The reign of James I has long been considered a period in which patriarchal orthodoxy revived in an especially virulent form to counteract 45 years of female rule. Barbara Kiefer Lewalski quotes King James’s advice to his son to illustrate what she frequently calls the era’s ‘dominant ideology’: Ye are the head, [your Wife] your body; It is your office to command, and hers to obey; but yet with such a sweet harmonie as she should be as ready to obey, as ye to command ...”

“... He had a mind so fine that no idea could violate it’: T.S. Eliot writing of Henry James in the Little Review of August 1918. I want to take exception, not to the truth of Eliot’s pronouncement (he was right about James), but to the set of lofty assumptions calmly towering behind it ...”

“... James Connolly is not a figure historians can confidently aspire to demythologise. His importance in Irish history lies as much in the images which have been fashioned of him as in his actual writings and actions. Images and myths, of course, are central to the creed of Irish nationalism, and it is hardly surprising, therefore, that many influential ones have been constructed around the only leader, and martyr, of the Easter Rising of 1916 with a socialist reputation ...”

“... but the two men were firm friends for life. Another much more distinguished convert was Clark Clifford, the beautifully-spoken lawyer who had been a friend of the Kennedys and Defence Secretary to Lyndon Johnson. When Abedi first met him Clifford was looking for a cause – especially if it had a few million dollars ...”

“... Before the middle decades of the 20th century, when, thanks to the pioneering scholarship of James Lees-Milne and Roy Strong, Larkin’s identity was established and his oeuvre began to be reconstructed, paintings such as those in the Suffolk Collection were often referred to as ‘carpet and curtain pictures’ and attributed, for want of a better ...”

“... are, or not working at all, but with nowhere else to go. Thus far, the thesis in Fiona Hill and Clifford Gaddy’s book is right. Anyone who’s visited a Russian government office will have seen one of those gigantic, boastful maps of the country, covering an entire wall. It is only after a while that you realise how misleading the maps are. Most of the ...”

“... these accounts. Davis and Darnton both taught at Princeton, where they attended the seminars of Clifford Geertz, who encouraged the belief that the simplest events (his classic account was of a cock-fight in Bali) were invested with the preoccupations and styles of thought of the whole culture; that objects and actions could be interpreted as if they were ...”

“... in a picture can speak for him or her self.Official portraiture offered its own opportunities. James Waterhouse, who was having a terrible struggle with the heat on an excursion during which he not uncommonly took a portrait nine times before getting a good negative, struck gold in Bhopal, where the Begum joined in the photographic game with ...”

“... compiling lists, but the lists themselves are interesting. For example: Jean Renoir, Orson Welles, James Wong Howe, Dudley Nichols, Clifford Odets, Robert Rossen, John Garfield, Charlie Chaplin and Leo McCarey all attended a reception in July 1943 for the Soviet director and administrator Mikhail Kalatozov. At that time ...”

“... lived to tell the tale as they’d seen it unfold at three in the morning from the stairway: ‘Clifford Irving in boxer shorts and a mink coat’; ‘Viva clutching her baby’; ‘Miloš Forman wearing a skirt borrowed from a neighbour’; and the weaver Juliette Hamelcourt, once a lady in waiting to Queen Astrid of the Belgians, with her dog under one ...”

“... could use symbolism as easily as allegory, but it only worked if it got out of hand. In Lucy Lane Clifford’s ‘The New Mother’ (1882) it gets out of hand in an odd and sinister way. Although the art and the power of the tale are never compromised one feels that the author is quite scared herself by the djinn which has come out of the bottle. The horror ...”

“... anyway much like it here. No, let him live. But still, what do you do if you’re a bachelor, or James Goldsmith, or a lesbian, or Welsh, or a good-looking nun, or Peter Parker, or a social worker, or a cat? You could always (well, not the cat) try taking Waugh to court. But who would want to stand up in the Old Bailey and declare himself not ‘the silliest ...”

“... James Hepburn opens his history of literary agency – The Author’s Empty Purse, published in l968 – with the same quotation that Graham Watson uses to conclude his reminiscences of a lifetime spent in the profession: This is the age of the middleman. He is generally a parasite. He always flourishes. I have been forced to give him some little attention lately in my particular business ...”

“... Something is happening to the way we think,’ said Clifford Geertz in 1980, and Stanley Fish is right to add that Geertz was partly responsible for the shift. But Fish, in a bold essay on rhetoric included in the Lentricchia-McLaughlin volume, qualifies Geertz’s remark: ‘something,’ he adds, ‘is always happening to the way we think ...”