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“... nor his fears, is perhaps less of a unique document than Vaughan maintains. Certainly the frank admission of ambition scarcely seems exceptional, although the language it is couched in is distinctive. In his urge to point to the inadequacies of Rolt’s biography, Vaughan sometimes seems to make too much of Brunel’s words, words which were initially ...”

“... and on formal logic are an encouraging instance. The second possibility was that of an entirely frank biography, of a ‘life of Ludwig von Wittgenstein’ which would deal with the privacies, with the pain, with the cruelties which he himself sought, so fiercely, to guard. Elements of such a treatment, though strident and (inevitably, perhaps) rhetorical ...”

“... in the days of Addison you might have done well to begin by heading for Button’s coffeehouse in Russell Street where the great man held court, and be as submissively impressive as possible. Almost three hundred years later, though sadly not for very long, you could make your way to the Pillars of Hercules in Greek Street, where Ian Hamilton, editor of the ...”

“... enjoyment’. From a wealthy family of Philadelphia Quakers, Mary shocked her parents by marrying Frank Costelloe, an Irish Catholic barrister with political ambitions. Their daughter Rachel (almost immediately known as Ray) was born on 4 June 1887, and her sister, Karin, two years later. They moved to London, and lived in Westminster – closer to Millbank ...”

“... that all power and domination should be given to the Lord?’ Sedgwick, like many others, was frank about the extent to which he regarded the rule of the Saints as made necessary by the reluctance of sinners to be governed as they should be: ‘we cannot in reason expect to have a free Parliament at this time, because the people are not fit to have a free ...”

“... to it by now, but as his book records, he has been embarrassed in the past: ‘To cap it all, [Frank] Bough had signed off the programme by saying: “what an attractive young man.” I got the most impossible stick for months afterwards. I couldn’t go anywhere without ribald remarks being made.’ There is no doubt a vicarious element in the attentions ...”

“... proprietary) naming. Derrida’s point can be made clearly enough in terms borrowed from Mill, Russell and modern ‘analytic’ philosophy. (Indeed, a good deal of his recent thinking has been prompted by ideas from that tradition, a fact unremarked by Anglo-American opponents who assume that no Frenchman has ever paid attention to a self-respecting ...”

“... Help from My Friends’. Lennon’s own appeal for aid, ‘Help’, was the least rhetorically frank of his confessional songs, and remained, for that reason, one of his favourites. ‘Because I meant it,’ he explained to Wenner, ‘it’s real. The lyric is as good now as it was then ... and it makes me feel secure to know that I was that ... aware of ...”

“... than is usually realised, having a congenial theory of tradition and community; some think Russell, who was very close to Eliot in the early London years, cured him of Bradleyan idealism, so that Bradley’s continuing influence depended finally on Eliot’s admiration for his prose style. Not everybody agrees, and it can still be maintained, as by ...”

“... Asymmetrical buildings like this one – Aalto’s Säynätsalo town hall and, most famously, Frank Lloyd Wright’s Fallingwater are others – tend to be known by photographs taken from the spot where they compose most dramatically. In the flesh they can (unlike Miesian cubes and Palladian façades) come as a surprise. The exhibition is rich in plans ...”

“... at all? The question gets more and more intriguing as the new film unfolds. The old man is Frank Sheeran, a real-life gangster who died in 2003 at the age of 83. He worked for the mob in Philadelphia and was very close to Jimmy Hoffa, the more than charismatic leader of the Teamsters’ Union. Sheeran had been in prison for what he regarded as one of ...”

“... of things about which Appleyard enjoys talking, such as Brutalism and Pop Art. He does not neglect Russell, Ayer, Popper etc; he neglects very little. Indeed the quantity of material he doesn’t neglect is impressively great: he comes near to being the ideal spectator of high-class contemporary trends. I feel that the introductory chapters are significantly ...”

“... images of sickness and suffering and self-sacrifice, the proprietors of the Elvis pilgrimage add a frank and frantic sexuality. The ambiguity of ‘passion’, long suspected in icons like Bernini’s Santa Teresa, here finally bursts forth and goes to town (Memphis). The nuns of Elvis spend their devotional hours buffing up his groin. There is a good deal to ...”

“... have been previous volumes of this kind (Ludwig Wittgenstein: Cambridge Letters and Letters to Russell, Keynes and Moore), and there is some repetition, but it is a tribute to McGuinness’s extraordinary industry and enthusiasm that he discovers interesting new material. He writes in his introduction: Another major change and addition to the volume is ...”

“... Open Frank O’Hara’s Collected Poems at random, somewhere in the middle, and you may get what looks like a Post-It note to a friend, or versified notes on a Jackson Pollock painting, a James Dean movie or ‘the music of Adolphe Deutsch’. You may also get one of many enticing, informal, secretly-complex poems that sound like nobody else ever has: How can you start hating me when I’m so comfortable in your raincoat the apples kept bumping off the old gnarled banged-up biddy-assed tree and I kept ducking and hugging and bobbing as if you were a tub of water on Hallowe’en it was fun but you threw yourself into reverse like a tractor hugging the ground in spring that was nice too more rain more raincoat                                  (‘Adventures In Living’) Who was O’Hara, and how did he learn to write like that? Born in 1926, he grew up in small towns in Massachusetts, studied piano seriously throughout high school and served in the Navy at the close of World War II ...”