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“... appalling effect. The pronounced if uneven enlargement and sophistication during the 1930s of what David Edgerton terms Britain’s ‘warfare state’ has been extensively studied from a variety of angles, most recently in Richard Overy’s The Bombing War: Europe 1939-45, which includes an authoritative account of the evolution into doctrine of the belief ...”

“... about a cyber Pearl Harbor, as techno-Orientalist. Techno-Orientalism is a term invented by David Morley and Kevin Robins to describe the ‘Japan panic’ of the late 1980s. By that time, the Japanese economy, driven by non-stop technological innovation, had become the second largest in the world after the United States. Japan was the leading creditor ...”

“... Dennis Brown concludes his celebration of Anglo-American Modernism with an account of Ezra Pound’s death on 30 October 1972. ‘That year I ended an obituary of Pound in a Canadian student newspaper: Pound is now dead and no poet remains of his stature. But poetry is “NEWS that stays NEWS”. READ him: Read HIM.’ The capitalisation is very much of the period, and it may he that the message is as well ...”

“... No other 19th-century artist made quite such a spectacle of the female body as Edgar Degas. Over three-quarters of his output of paintings, drawings, pastels, prints and sculptures consists of images of women, sometimes seen in the company of men or children, but more often alone or with other women. The nude figure is the subject of about a fifth of that total, from the copies and life studies he made as a young man in the 1850s through the early history paintings to the naturalistic studies of the 1870s and 1880s and beyond ...”

“... His name was Franz Kafka, and he quite often went to the movies. Some such statement constitutes both the basis of Kafka Goes to the Movies and its primary impediment: the rock it has to roll up the hill. According to Max Brod, his lifelong friend and first editor and biographer, Kafka loved the movies; at times, Brod reported, he would talk about little else ...”

“... Towards the end of Radclyffe Hall’s The Unlit Lamp (1924), the heroine, Joan Ogden, who has grown miserably old in a small provincial town, overhears two young women discussing her. She recognises them as women of the same ‘type’ as her: unattached, independent, sexually ambiguous. They dress like her, and wear their hair cut in a similar style ...”

“... That E.M. Forster gave only two cheers for democracy, but three for D.H. Lawrence, on the occasion of Lawrence’s death, is well-known. Forster was upset that the lowbrows Lawrence scandalised had joined forces with the highbrows he bored to denigrate ‘the greatest imaginative novelist’ of his generation. A bored highbrow, T.S. Eliot, at once protested that he didn’t know what was meant by ‘greatest’, ‘imaginative’ or ‘novelist ...”

“... It angers me to pass a grocer’s shop,’ declares the impeccably fogeyish hero of Gissing’s The Private Papers of Henry Ryecroft (1903), ‘and see in the window a display of foreign butter. This is the kind of thing that makes one gloom over the prospects of England. The deterioration of English butter is one of the worst signs of the moral state of our people ...”

“... When Robinson Crusoe tries to convey what it felt like to be the sole survivor of a shipwreck, he finds himself at almost as much of a loss now, in the telling, as he was then, gloomily pacing the shoreline of an uncharted and to all appearances inhospitable island; until, that is, objects come to his rescue. He cannot describe the ‘thousand gestures and motions’ he made, in his moment of crisis, without any hope of a response ...”

“... If​ there is a god of small things, it could be said to have taken up residence, for a while at least, in a remote valley in the northern highlands of Vietnam. A lush forest canopy spreads evenly up the slopes of the surrounding hills. On the valley floor sits a group of five single-storey concrete sheds with corrugated iron roofs, each opening onto a broad grassy enclosure ...”

“... Gertrude​ Trevelyan lived the Virginia Woolf dream: £500 a year and a room of one’s own in which to write experimental novels. Born in 1903 into a well-to-do West Country family, she was a student at Lady Margaret Hall, graduating in 1927. After Oxford, she moved to London, and in 1931 into a flat at 107 Lansdowne Road, Notting Hill. There’s a rare sighting of her, a diminutive figure flanked by solemn men in suits, in a photograph in the March 1933 issue of the Bystander, a gossipy society magazine ...”

“... David Thomson​ is best known for a series of surveys of the history of cinema as Olympian in scope as they are in evenness of tone, the most notable being his indispensable Biographical Dictionary of Film from 1975, subsequently updated in a series of editions as the New Biographical Dictionary of Film. His latest book, The Fatal Alliance, is every bit as commanding in its succinct description and analysis of a wide variety of films, good, bad and (mostly) indifferent ...”

“... the mood took him, an advocate of cool. In Cool Rules: Anatomy of an Attitude, Dick Pountain and David Robins define cool as a ‘new secular virtue’ – the official language of a private or subcultural rebelliousness retuned from generation to generation, as well as of worldwide commodity fetishism. According to Alan Liu, in The Laws of Cool, it’s a ...”

“... in novels dedicated to the ‘strange operations of memory’, including Great Expectations and David Copperfield. Mullan writes very well about those moments in the books when smell reveals the ‘presentness of what is lost’. But there are many more moments to be found in which the presentness revealed is very definitely that of the present rather than ...”

“... in a chapter that compares Robert Louis Stevenson’s short story ‘The Bottle Imp’ (1891) with David Robert Mitchell’s zombie film It Follows (2014). The former was published a year after the sovereign debt crisis brought about by the insolvency of Barings Bank, the latter conceived in the aftermath of the 2008 subprime debacle. Both concern ‘gimmicks ...”