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“... its Parliamentary staff, one of its political correspondents, and its Parliamentary sketch-writer David McKie. Frank Johnson, restored to the back page of the Times after a disappointing sojourn abroad, and Edward Pearce of the Daily Telegraph, are representative of the sketch-writing-as-entertainment school. McKie is more thoughtful. The political team on ...”

“... early systematic observers. Edward, second Duke of York, in his Master of the Game noticed what David Macdonald’s research has confirmed: foxes eat worms. As it became a more respectable quarry the fox was pampered: its habitat was protected, its enemy, the farmer with chickens, bought off, and the long argument between preservers of game and chasers of ...”

“... light comedy written by William Douglas Home, with the legendary A.E. Matthews, Cecil Parker and David Tomlinson. I know the play well, or should, having been in it at school in the Tomlinson part. After a succession of female roles (including Katherina in The Taming of the Shrew), my voice had broken at long last and this was the first male role I was ...”

“... At the time, Lytton Strachey was obsessed with the heterosexual painter and philanderer Henry Lamb, whom Cox had recently met and fallen for. She asked Lytton to invite Lamb, and he happily obliged. Lamb was looking for a new mistress and Cox was well-off, generous and ...”

“... were arguing vigorously that the journals and other descriptive writings of explorers such as David Thompson, Simon Fraser and Alexander MacKenzie were the first contributions to Canadian literature, and these works teem with a sense of the forests and prairies, lakes and rivers as the inexhaustible new land in which settlers had to strive to make ...”

“... I wondered if the whole thing was an elaborate joke I’d missed. Meades’s take on an Elizabeth David recipe for sauce au vin du Médoc, which David credited to ‘Madame Bernard, the wife of a wine-grower of Cissac-Médoc’ (Meades wonders whether David ‘emulated [the] deadpan ...”

“... the ‘feasts’ served up at Hogwarts boarding school are of ‘roast beef, roast chicken . . . lamb chops . . . Yorkshire puddings . . . peppermint humbugs’ and the like. All of which is, as the Daily Mail has said of Steve Thoburn, simply ‘patriotic and sensible’. Reclaiming the flag has always been one of Tony Blair’s priorities for New ...”

“... and how he keeps coming back. T.S. Eliot said he was guilty of ‘crimes against taste’. David Lodge made him a twee subject of nostalgic research for the English hero of Small World, Philip Swallow, hopelessly outgunned by the vulgar but irresistible American, Morris Zapp. Lodge had got his significant detail wrong – Swallow should be a scholar of ...”

“... except for the moments when it is fish and chips or steak and kidney pie, or, for that matter, lamb vindaloo or jerk chicken. Some of its ‘national’ symbols and traits belong only to a part of the population; some of them are shared with other nations; some are deeply contested; some are constantly changing. In practice, we speak of a ‘national ...”

“... being right, of understanding your tantrums almost before they happen. Into this hotbed comes Mary Lamb, whose memory sucks and whoops and sinks – the daughter of Nathan and his long-since-estranged wife Maura, whom he still adores. Mary is a promising writer and also a promising daughter, golden-haired and golden-skinned, irreverently witty and physically ...”

“... and the good.Simón’s self-appointed task in the new life is to look after a small boy, David, who, he thinks, lost a document that would lead him to his mother on the boat over. (The details aren’t clear thanks to ‘the waters of forgetting’, in which people speak repeatedly of being ‘washed clean’.) In time, Simón becomes convinced that ...”

“... Solomons, free from prejudice, passion, envy and the desire for fame or money. William Lamb, second Viscount Melbourne, prime minister in 1834 and 1835-41, had no such illusions. He loved reading history because it pricked the pomposity of vain and foolish ‘great men’. But he also knew that historical judgments were relative and that historians ...”

“... David Lurie, the soured academic who is the protagonist of J.M. Coetzee’s novel Disgrace, earns his living as a professor of ‘communications’ in a Cape Town university (his former department, Classics and Modern Languages, has been rationalised out of existence). He is obliged to spend most of his time teaching this new subject, in which he has no interest, no belief even, but is allowed to offer one special course per year ‘irrespective of enrolment ...”

“... half-crust. (‘That bread alone was worth the journey,’ they probably remark, just as Elizabeth David says of a trip to an out-of-the-way eatery in France.) Art has a morality of its own, and the aesthetics of cooking and eating aspire, in ‘foodism’, towards the heights of food-for-food’s sake. Therefore the Third World can go suck its fist.The ...”

“... function, she thinks of verse as private and therefore inconsiderable, grouping Coleridge with Lamb (in many ways the best literary critic of his age) as a pair of malingerers: ‘Like Coleridge in “Kubla Khan” . . . Lamb values literature as fantasy, otherness; in some sense magical. It is the mal du siècle.’ In ...”