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“... Israeli officials, for a man detained as a suspect in the killings of two Palestinians. The man, David Axelrod, is not related to Leon Trotsky. A man with the same name, who is a descendant of Trotsky, was questioned briefly by the police in a case of mistaken identity. The arcane character of this item, which was at the top of that day’s menu, might make ...”

“... debates that opened up in Picasso’s day and they recur in the classical formulations of Clement Greenberg. But their most systematic exponent in recent years has been Yve-Alain Bois, who has argued that Picasso’s development from 1907 to 1913 represents a coherent and unified evolution, marching briskly forward from an interest in African masks around ...”

“... Tina. ‘Wonderful! … Where’s the library?’) At the end of 1997 Brown was replaced by David Remnick, who as an editor is less Buzz-happy than Brown, but as a writer ranges, browlessly, from Kremlin politics to Muhammad Ali. Meanwhile Seabrook lived to tell the tale, though half his chapters are revamped articles written for Brown, whom he regards ...”

“... remarks that tragedy ‘was born under tyranny but flowered under democracy’, though Mitchell Greenberg notes that in the 17th century tragic theatre enjoyed a golden period in an age of political absolutism. It is also worth asking why the decline of tragedy coincided with the waning of such power. The scholars who write in the volume on medieval ...”

“... something much deeper and blacker, that we all respected’. In an obituary of the sculptor David Smith he describes the good times they had and adds: ‘we both knew damned well the black abyss in each of us that the sun and the daughters’ skin and the bounty and the drink could alleviate but not begin to fill, a certain kind, I suppose of ...”

“... art criticism when Fried was a young man, Harold Rosenberg and Fried’s own mentor Clement Greenberg, started out wanting to be all-round literati before becoming specialists in the fine arts; but Fried, who was one of the first wave of art critics to have a PhD in art history, seems to have been the only one of that group to have been tempted, however ...”

“... Israeli poet), Yehuda Amichai, Leah Goldberg, Moshe Dor, Shlomo Viner, Dahlia Ravikovitch and David Vogel; Oxford have published Amichai and Carcanet Pagis; Tony Rudolf and Howard Schwarz have recently edited an enormous volume of modern Jewish poetry, which includes a 300-page section on Hebrew poetry.* All these, of course, are in English only. But some ...”

“... The Factory, and the role he came to assume there as Svengali-producer and artist-voyeur. Clement Greenberg ‘saw painting as an activity which existed within the limits of its own world, self-validated and self-contained’, says Wollen. Warhol, more than anyone else, broke open this enclosed world of ‘ambitious art’, a world in which art had become a ...”

“... as Shaw and Mencken and Edmund Wilson were interested, and as his colleagues at the Nation Clement Greenberg and B.H. Haggin were. He does not drive home an argument and avoids underlining the implications of a perception. Rather, he will broadly sketch a chosen compliment, travesty, explosive summary or elaboration. The one-liners come as fast and sure as ...”

“... of Surrealism during the war years (he also launched a journal there, with Duchamp, Ernst and David Hare, called VVV). And though Bretonian Surrealism was opposed to abstraction, it helped American artists like Jackson Pollock develop an automatist gesturalism that was more expressive of the unconscious than any Surrealist dreamscape. Such was also its ...”

“... and natural history within a ‘big history’ such as those outlined by the American writers David Christian and Cynthia Stokes Brown – or, in the terminology of Edward O. Wilson, in a ‘consilience’, a convergence of intellectual disciplines, humanities with science. Ultimately, all teaching in the fine arts department pays a kind of homage to ...”

“... point, of an artist’s work and then describing the impression that art makes on an open mind. (David Sylvester was especially good at this.) It has seldom generated a productive debate because it tends to be defensive, but also because there is such a fear of encouraging philistinism or of being mistaken for a philistine. Artists themselves have not always ...”

“... dominated as it then was by the formalist model of ‘modernist painting’ used by Clement Greenberg to champion Abstract Expressionism, and deftly deflected its discourse towards what Leo Steinberg would term ‘other criteria’. ‘The subjects which Jasper Johns chose to paint up to 1958,’ Steinberg wrote in ‘Jasper Johns: The First Seven Years ...”

“... about Clinton are always the same joke. ‘When he comes to a fork in the road,’ writes Paul Greenberg of the Arkansas Democrat-Gazette, ‘he takes it.’ He wants to have his dozen Big Macs and eat them too. And so forth. (I myself have contributed a one-liner: ‘Why did Bill Clinton cross the road? Because he wanted to get to the middle.’) In ...”

“... be justified by reference back to Bosch or Goya, or the D’Este court or even to Francis Bacon or David Hockney. It stands on its own feet as a marker of the tension felt in the art world between the legacy of a lost Modernism and the ascendant culture of the spectacle, the transformed and triumphal forces of everything which Clement ...”