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“... In​ the early 1960s, David Hockney made a series of etchings inspired by the poems of Constantine Cavafy; he went to Egypt to discover the places Cavafy had drunk coffee and picked up lovers, but in the images it’s mainly Hockney’s own life and friends who figure. The etchings touch on rapture, and the frankness of their erotic pleasure at the sight and memory of boys in bed brought Cavafy to a new, wide readership ...”

“... notion of privacy to Oxford’s material environment. Oxford’s self-perception began to shift. David Fairer’s absorbing chapter on ‘Oxford and the Literary World’ explains how the romance of Oxford began in the later 18th century. We perceive the beginning of an attitude that defines a university and especially Oxford as a kind of secret epicurean ...”

“... died of before. Men dying in the time it takes to catch and throw off a cold: ‘One Thursday,’ David France writes in How to Survive a Plague, ‘sexy Tommy McCarthy from the classifieds department stayed out late at an Yma Sumac concert. Friday he had a fever. Sunday he was hospitalised. Wednesday he was dead.’ Later, there were tests. A virus ...”