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Power Systems

John Bayley, 15 March 1984

Dante and English Poetry: Shelley to T.S. Eliot 
by Steve Ellis.
Cambridge, 280 pp., £20, October 1983, 0 521 25126 5
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Dante the Maker 
by William Anderson.
Hutchinson, 497 pp., £7.95, September 1983, 0 09 153201 9
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Dante: Purgatory 
translated with notes and commentary by Mark Musa.
Indiana, 373 pp., £19.25, September 1981, 0 253 17926 2
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Dante: Paradiso and Purgatorio 
with translation and commentary by Charles Singleton .
Princeton, 610 pp., £11.80, May 1982, 0 691 01844 8
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Virgil: The Aeneid 
translated by Robert Fitzgerald.
Harvill, 403 pp., £12.50, March 1984, 0 00 271008 0
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... appreciated. Great poets may make what they like out of them, and other poets (such as Lowell and Christopher Logue) may subject them to specialised sorts of updating in their own verse. Logue in particular, with his versions of Homer, is engaged in the often valuable as well as always fashionable business of bringing ...

My Books

Ian Patterson, 4 July 2019

... Where there weren’t shelves there were Spanish Civil War posters and a neon pink print of a Christopher Logue poem. There were some filing cabinets, one full of notes, the other full of photocopied articles (though one drawer did contain bottles of wine). The green armchair and sofa were reupholstered when I moved into the rooms. I worked at a big ...

King shall hold kingdom

Tom Shippey: Æthelred the Unready, 30 March 2017

Æthelred: The Unready 
by Levi Roach.
Yale, 369 pp., £30, September 2016, 978 0 300 19629 0
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... works, electronic resources, three recent popular novels, a musical composition and a poem by Christopher Logue. Among the primary sources are 84 authentic charters from Æthelred’s reign, seven or eight decrees issued at law-gatherings (meetings of the powerful where royal policy was announced) and a good deal of writing from the period, much of ...

That was the year that was

Tariq Ali, 24 May 2018

... he called at his house, he said: ‘Guys, what about launching a paper?’ We decided we would and Christopher Logue was deputed to go to what’s now the British Library to look into possible names. I’d said: ‘I’m totally opposed to traditional left names – “Workers’ this”, or “Socialist that”. The people who are coming into politics ...

Like a Meteorite

James Davidson, 31 July 1997

Homer in English 
edited by George Steiner.
Penguin, 355 pp., £9.99, April 1996, 0 14 044621 4
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Homer’s ‘Iliad’ 
translated by Stanley Lombardo.
Hackett, 584 pp., £6.95, May 1997, 0 87220 352 2
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Homer’s ‘Odyssey’ 
translated by Robert Fagles.
Viking, 541 pp., £25, April 1997, 0 670 82162 4
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... To get a taste of his originality, try James Joyce, or Derek Walcott. For drama and pathos try Christopher Logue, and for sheer poetic artistry try Fitzgerald or Alexander Pope. And if, after this, you feel in need of some orality, have some friends round for dinner, put on some music and read it ...

Himbo

James Davidson: Apollonios Rhodios, 5 March 1998

Apollonios Rhodios: The Argonautika 
translated by Peter Green.
California, 480 pp., £45, November 1997, 0 520 07686 9
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... to be taken. It would be interesting to see the Argonautika violated by a less brawny version of Christopher Logue. It is indeed a classic of European literature, a fabulous magical tale, but if you want to learn to love it you will have to take classes. It is a universal poem only in the ...

Doris and Me

Jenny Diski, 8 January 2015

... his wife, the poet Ruth Fainlight, Arnold Wesker and his wife Dusty. Naomi Mitchison. Ted Hughes, Christopher Logue (whose recording of poetry and jazz, Red Bird, I’d bought with my pocket money at St Christopher’s), Lindsay Anderson, Fenella Fielding. A Portuguese couple, described to me as ‘a poet in exile and ...

The Empty Bath

Colin Burrow: ‘The Iliad’, 18 June 2015

Homer: ‘The Iliad’ 
translated by Peter Green.
California, 560 pp., £19.95, May 2015, 978 0 520 28141 7
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... of elegies for the dead interspersed with similes, and pares away almost all narrative elements. Christopher Logue’s dazzling paraphrases adopt a fragmentary form which appears to have been broken apart by the violence it represents, which is often grotesque (‘His neck was cut clean through/Except for a skein of flesh off which/His head hung down ...

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