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Docility Rampant

Margaret Anne Doody, 31 October 1996

Lady Mary Wortley Montagu: Romance Writings 
edited by Isobel Grundy.
Oxford, 276 pp., £14.50, August 1996, 0 19 812288 8
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... to the French line than the English – even if one can see the influence of English writers like Aphra Behn, Mary Davys and Eliza Haywood, with whom she was undoubtedly familiar. She also seems to have read the pious Penelope Aubin – against whom she reacts, as she was to react, in a more complicated manner, against Richardson. Both stylistically and ...

Puellilia

Pat Rogers, 7 August 1986

Mothers of the Novel: One Hundred Good Women Writers before Jane Austen 
by Dale Spender.
Pandora, 357 pp., £12.95, May 1986, 0 86358 081 5
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Scribbling Sisters 
by Dale Spender and Lynne Spender.
Camden Press, 188 pp., £4.95, May 1986, 0 948491 00 0
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A Woman of No Character: An Autobiography of Mrs Manley 
by Fidelis Morgan.
Faber, 176 pp., £9.95, June 1986, 0 571 13934 5
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Cecilia 
by Fanny Burney.
Virago, 919 pp., £6.95, May 1986, 0 86068 775 9
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Millenium Hall 
by Sarah Scott.
Virago, 207 pp., £4.95, May 1986, 0 86068 780 5
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Marriage 
by Susan Ferrier.
Virago, 513 pp., £4.50, February 1986, 0 86068 765 1
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Belinda 
by Maria Edgeworth.
Pandora, 434 pp., £4.95, May 1986, 0 86358 074 2
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Self-Control 
by Mary Brunton.
Pandora, 437 pp., £4.95, May 1986, 9780863580840
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The Female Quixote: The Adventures of Arabella 
by Charlotte Lennox.
Pandora, 423 pp., £4.95, May 1986, 0 86358 080 7
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... of the male ancestors he omits with the women. Alive to the gaps in Ian Watt’s account as far as Aphra Behn et al are concerned, she seems oblivious of the fact that the rogue’s tale of Kirkman and Head is likewise an absentee. This enables her to insinuate the notion that the suppressed context for the founding fathers is overwhelmingly one provided ...

Tit for Tat

Margaret Anne Doody, 21 December 1989

Eighteenth-Century Women Poets: An Oxford Anthology 
edited by Roger Lonsdale.
Oxford, 555 pp., £20, September 1989, 0 19 811769 8
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... cuts off the vision of connections between the new poets and ‘Orinda’ (Katherine Philips), Aphra Behn and Jane Barker, as well as their connections to the work of Rochester and Dryden. (Women wrote elegies for both of these earlier ‘Augustans’: in 1700 The Nine Muses, a collection of poems entirely by women, laments Dryden’s death.) Not only ...

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