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“... Johnny to the church rather than the police, and a struggling artist (ludicrously overplayed by Robert Newton) drags Johnny back to his room in order to paint him, hoping to ratchet up a failing talent by catching the light in a dying man’s eyes. This is where things go half-baked. In Johnny’s delirium, pictured as a J. Arthur Rank version of ...”

“... but of symbolic logic). Such an acquiescence in classical models is scarcely surprising since, as Robert Skidelsky clearly demonstrates, there was virtually nothing in the world before 1914 to suggest to an academic liberal of Keynes’s background that the classical economic system had failed or broken down. Keynes’s economics before 1914 were therefore ...”

“... Mythology was once defined by Robert Graves as the study of whatever religious or heroic legends are so foreign to a student’s experience that he cannot believe them to be true. Mythical stories are disturbing and invite disbelief; but our own myths are so taken for granted as to be largely invisible. Conventional encyclopedias of mythology exclude Biblical narratives ...”

“... More than fifty years have elapsed since G.M. Young published his splendidly suggestive survey of Victorian England, Portrait of an Age, and the confidence and command which enabled that book to be written seem to become ever more elusive. The exponential growth of the academic profession, and the sheer volume of relevant material and accumulated images, have ensured that our detailed knowledge about this period has advanced enormously since Young’s day ...”

“... the South Pole. From 1913, when the news arrived of his death in the snow, until the late 1970s, Robert Falcon Scott’s reputation was frozen as the apotheosis of duty, Britishness and the selfless, good death. Then, just in time for the arrival of Margaret Thatcher’s brash, commercial vision of what ‘British’ was supposed to mean, Roland Huntford ...”

“... the Frost of the anthologies, the author of ‘guidebooks for the spirit of individualism’, as Robert Faggen puts it, attracted to empty woods and roads less travelled, and suspicious of New Deals and other easy offers of a lift. But real individualists don’t read guidebooks, and Frost wasn’t writing them. On receiving the Emerson-Thoreau medal in ...”

“... also true that a relief expedition has been hacking through textbook surveys for several decades. Robert Butts and Walter Cannon have called attention to the scientific and philosophical contributions of the ‘Cambridge Network’ – men like William Whewell, Adam Sedgwick, Charles Babbage, George Airy, John Herschel and John Henslow. Some half-dozen pieces ...”

“... In​ 1824, a Scottish merchant called Robert Hunter was sailing down the Mekong when he saw what Yunte Huang describes as a ‘two-headed Hydra-like creature’ climbing into a dinghy. On closer inspection, Hunter was astonished to discover ‘not some amphibious reptile’ but two identical young boys connected at the chest by a thick band of flesh ...”

“... he had been estranged. Trollope, as strict in his daily routine as Anny was chaotic, welcomed the young women into his ‘sweet old prim, chill house wrapped in snow’. Tennyson was a close friend, and the Isle of Wight, where Anny and Minny were sheltered by the irrepressible Julia Margaret Cameron, became a lifelong refuge. Anny relished the island ...”

“... Wordsworth – austere, perplexed, uncompromising – seems the natural example of what ‘the young’ will not respond to. ‘A man looking at a mountain: why does it have to be so complicated, they want to complain?’ In Disgrace, the choice is also ironical, for Wordworth’s greatest poem is about being young. Its ...”

“... A young Englishman of means passing through Rome on the Grand Tour in the mid to late 1700s might well have been directed to the studio of Pompeo Batoni to have his portrait painted. It would probably only have taken a couple of sessions for Batoni to get the sitter’s face onto canvas – the 12 he gave David Garrick were unusual ...”

“... geometric shapes that swung like chain mail as you walked. I sat in the chair while behind me Robert, the senior stylist, cast his professional eye over me, lifting hanks of my long hair with a comb and letting them drop, flicking sections this way and that to see how they fell, examining its possibilities. Finally, he pocketed his comb and with a sigh ...”

“... distorted reflections of lacquered doors. I first met the hyacinthine, ringleted, foggyvoiced young Guibert through Foucault in 1983. He was perhaps Foucault’s best friend. Although Foucault liked working with women (Arlette Farge was a favourite), he didn’t like socialising with them; once I invited Susan Sontag to dinner and he hissed at me when she ...”

“... belatedness with regard to her favourite writers – they include Dostoevsky, Platonov, Kafka and Robert Walser – and a firm grasp of all the aesthetic and intellectual-historical explanations of Why One Can’t Write Like Tolstoy Any More. ‘This story will be composed in bad English,’ one of the two novellas in Private Novelist begins, ‘the ...”

“... to feminist eyes, of the title’s construction, just a passing knowledge of the dynamics of Robert Maxwell’s ego would seem to preclude the possibility of having the one while being with the other for 47 years. Yet, when one has read the book, it becomes clear that the colon is, after all, perfectly placed between the two propositions, and that the ...”