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“... pursuits to write imitation Agatha Christie detective stories, so when I first learned that Michael Dummett, widely regarded as the most formidable philosopher of his generation, was about to publish a book about Tarot cards, I rather naturally assumed that it must be an exercise of this same recreational sort. In a certain very off-centre sense, my ...”

“... Lady: The Diaries of Elisabeth von Stahlenberg 1933-1948, or fictional autobiographies such as Robert Graves’s I, Claudius, or Danny Hill: Memoirs of a Prominent Gentleman (edited by Francis King) and Margaret Forster’s ‘edition’ of Thackeray’s Memoirs of a Victorian Gentleman, the book mingled respected literary figures still alive in Britain ...”

“... in Hollywood in 1972. Fifteen famous directors are there, including John Ford, Rouben Mamoulian, Robert Mulligan, George Stevens, Robert Wise, William Wyler, Billy Wilder. Hitchcock sits next to Buñuel, says very little, then at one point puts an arm round his companion’s shoulder and says with deep ...”

“... included Spartacus, depicted as a virtuous rebel against some very British-looking patricians in Robert Montgomery Bird’s melodrama The Gladiator (1831), and the anti-aristocratic hero of Robert Conrad’s Jack Cade (1835), a martyr who dies with the words: ‘The bondman is avenged, my country free!’ Perhaps ...”

“... of Oftel smiles up in soft brown light as he dangles in the mirror on a green office wall. Michael Meyer of Emess Lighting is dissected by the blinds that cut across him and then reassembled from outside – his shirtsleeved figure looming like a target in the formulaic eye of some Hollywood assassin. As for London and Scottish Marine Oil’s Chris ...”

“... Yoshi kept coming to mind as I puzzled, eased, or intermittently ground and grinned my way through Michael Westlake’s 51 Soko – an ingenious, teasing, complex, at times impenetrable, often brilliantly parodic book, with a title that reads disconcertingly like a personal number-plate or a cosmetic preparation (‘51 Soko for firmer follicles’). It may be ...”

“... In a Foreword to this very substantial book Michael Ffinch says that G.K. Chesterton ‘was above all things a great champion of Liberty’. He goes on: ‘This being so, it has often come as a surprise that in religion Chesterton should have moved away from the Liberal Unitarianism of his childhood towards Catholicism ...”

“... having theories about how to read books than about how to understand his friends. The Foreword to Robert M. Adams’s The Land and Literature of England gives some indication that this merely humane view of literature is now felt to be under threat. His bland intention is ‘to set forth the outlines of English history so that they may serve as background for ...”

“... weaves together the lives of the famous, the obscure and the forgotten. Elizabeth Barrett and Robert Browning plan their elopement. Samuel Rogers entertains the Gräfin Hahn-Hahn, a romantic novelist who has come to meet her English public and disappoints them by turning out to have false teeth and a glass eye. The painter Benjamin Haydon approaches a ...”

“... said to me ... that of the literary men he had known only three struck him as positively evil: Robert Frost, Yeats and Brecht!’) Paul Tillich saying: ‘We have two and one-half Communist representatives on the council. The half is Bert Brecht.’ And Eric Bentley and Lotte Lenya lament Brecht’s lack of decency and manners. It would be one thing to ...”

“... Writers in the early part of our century fell in love with the interminable work, the book that seemed infinite. The Cantos, Remembrance of Things Past, The Man without Qualities were all tasks designed to last the writer’s lifetime, and they did. But there are degrees and differences among these projects. The Cantos were a ragbag, as Pound once half-mockingly called them, into which he could throw the contents of his mind in the form of poetry, but they were a ragbag that dreamed of a secret ordering ...”

“... ineffectiveness was partly caused by ineffective leaders. Where was the Labor equivalent of Sir Robert Menzies – a man of great physical presence and even greater political cunning? The answer, when it finally came, was Gough Whitlam. He was a man of commanding height, a middle-class barrister like Menzies, a skilled debater, supremely self-confident, a ...”

“... that once she is raped Clarissa has no business doing anything except dying. And Donaldson quotes Robert Bage and Thomas Holcroft, lesser novelists than Richardson, but also less extreme in their dreams of women, willing to resist the notion of the fate worse than death. Hardy too, in Tess, offers a girl who is ruined and survives to die, Donaldson ...”

“... The funicular railway takes you to the top of the mountain with the strange name: a nonsense word, a child’s burble, Tibidabo. You see the city of Barcelona spread out beneath you; beyond it the Mediterranean. Très beau panorama, the Michelin guide says, as well it may, since the name is not the nonsense word it looks but the Devil’s Latin, part of the sentence in which he offered to Christ the kingdoms of the world and the glory of them: Haec omnia tibi dabo si cadens adoraveris me, ‘All these things will I give thee, if thou wilt fall down and worship me ...”

“... as though what’s going on out there were more interesting to her than the rigmarole in the car. Robert Siodmak, the director, told her what to do in minute detail, forcing her to play down her performance. Whoever deserves the credit, the result is a little piece of perfection, a rare instance of downbeat, off-guard grace. Gardner was never so good ...”