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Jonathan Coe, 13 September 1990

Symposium 
by Muriel Spark.
Constable, 192 pp., £11.95, September 1990, 0 09 469660 8
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The Inn at the Edge of the World 
by Alice Thomas Ellis.
Viking, 184 pp., £12.99, September 1990, 9780670832743
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... to her fiction at all, its most obvious effect has usually been to fuel her spirit of enquiry (Frank Kermode once aptly referred to her novels as ‘researches’). The elaborate structure of Symposium now allows its author to explore, with a convert’s temerity, the very nature of omniscience, be it divine or authorial: of the several Catholic ...

The Art of Self-Defeat

Noël Annan, 19 July 1984

Faces of Philip: A Memoir of Philip Toynbee 
by Jessica Mitford.
Heinemann, 175 pp., £9.95, July 1984, 0 434 46802 9
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... less) followed by two lines of five stressed syllables each.’ Far better judges than I, such as Frank Kermode and Stephen Spender, have admired these books; and Wystan Auden and Leonard Woolf are said to have spoken well of them. Certainly he saw himself as the heir to Virginia Woolf and his novels were written for those who enjoy the long conundrums ...

Not Entirely Like Me

Amit Chaudhuri: Midnight at Marble Arch, 4 October 2007

The Reluctant Fundamentalist 
by Mohsin Hamid.
Hamish Hamilton, 184 pp., £14.99, March 2007, 978 0 241 14365 0
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... the late Raj Chandavarkar, by Ian Jack. I ate canapés, searched for something to say to Frank Kermode, and had a glass of red wine. I generally feel neither one way nor another about drinking, but my listlessness about consuming alcohol offends only Indian acquaintances, not Western ones. However, in Oxford, imbibing the occasional port or wine ...

Henry and Hamlet

Barbara Everett, 22 February 2024

... Introducing​ his text of Hamlet in The Riverside Shakespeare, Frank Kermode calls it ‘the first great tragedy Europe had produced for two thousand years’, and adds, as if conceding to the long academic stress on its highly ‘problematic’ character: ‘how Shakespeare came to write it is, of course, a mystery on which it is useless to speculate ...
Joseph Conrad: A Biography 
by Jeffrey Meyers.
Murray, 320 pp., £20, July 1991, 0 7195 4910 8
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Joseph Conrad and the Modern Temper 
by Daphna Erdinast-Vulcan.
Oxford, 218 pp., £30, August 1991, 9780198117858
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... the end of the first paragraph of Heart of Darkness, the full oddity of which was pointed out by Frank Kermode. ‘Gleams of vanished spirits’ – no doubt the souls of all the sailormen haunting the Thames since the savage early days of Roman conquest – seemed acceptable Conradian language, in keeping with the tale’s general atmosphere, except ...

Six hands at an open door

David Trotter, 21 March 1991

Intertextual Dynamics within the Literary Group: Joyce, Lewis, Pound and Eliot 
by Dennis Brown.
Macmillan, 230 pp., £35, November 1990, 9780333516461
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An Immodest Violet: The Life of Violet Hunt 
by Joan Hardwick.
Deutsch, 205 pp., £14.99, November 1990, 0 233 98639 1
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... gifted writers. Recognising its usefulness, some critics have tried to refine it further. Frank Kermode, for example, once suggested a distinction between different phases of Modernism, between ‘paleo-modernism’ and ‘neo-modernism’. But the suggestion never caught on, because for many people accuracy of description was not really the ...

Gaslight and Fog

John Pemble: Sherlock Holmes, 26 January 2012

The Ascent of the Detective: Police Sleuths in Victorian and Edwardian England 
by Haia Shpayer-Makov.
Oxford, 429 pp., £30, September 2011, 978 0 19 957740 8
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... because, like Robinson Crusoe, he’s fiction that’s become myth. ‘Fictions,’ according to Frank Kermode, ‘can degenerate into myths whenever they are not consciously held to be fictive.’ The fictiveness of Sherlock Holmes was uncertain from the start. The letters addressed to him sent to Conan Doyle for redirection, the landladies who wanted ...

Kitty still pines for his dearest Dub

Andrew O’Hagan: Gossip, 6 February 2014

Becoming a Londoner: A Diary 
by David Plante.
Bloomsbury, 534 pp., £20, September 2013, 978 1 4088 3975 1
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The Animals: Love Letters between Christopher Isherwood and Don Bachardy 
edited by Katherine Bucknell.
Chatto, 481 pp., £25, September 2013, 978 0 7011 8678 4
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... any scandal, allowing the writer to puff and genuflect and conceal his way to glory. Take Frank Kermode’s Not Entitled, a memoir typical of a generation of men who thought things were best said by not being said at all. Plante, however, is a throwback to the days of Barbara Skelton and the Comtesse de Boigne. In the years covered by his ...

The Phonic and the Phoney

Nicholas Spice: Being Hans Keller, 4 February 2021

Hans Keller 1919-85: A Musician in Dialogue with His Times 
by Alison Garnham and Susi Woodhouse.
Routledge, 421 pp., £34.99, December 2018, 978 1 138 39104 8
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... subjected to as a young man, describing the Vienna experiences as ‘an escape into reality’. Frank Kermode was listening and, much moved, wrote to Keller: ‘I filled out, with my own fears, the understatements of your talk. I suppose it must be that the school bully, the military sadist, and perhaps oneself in certain moments are, though ...

Every Latest Spasm

Christopher Hitchens, 23 June 1994

A Rebel in Defence of Tradition: The Life and ‘Politics’ of Dwight Macdonald 
by Michael Wreszin.
Basic Books, 590 pp., £17.99, April 1994, 0 465 01739 8
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... of our Paris office’ and into the open as case officers and apparatchiks. (I had this first from Frank Kermode, and Wreszin amplifies the story admirably.) Still, Macdonald declined to see what was in front of his nose, and waited years to write the garrulously satiric piece for Esquire in which he ‘confessed’ to having been a CIA cultural agent all ...

Keys to Shakespeare

Anne Barton, 5 June 1980

Shakespeare’s Tragic Practice 
by Bertrand Evans.
Oxford, 327 pp., £12.50, December 1979, 9780198120940
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The Tragic Effect: The Oedipus Complex in Tragedy 
by André Green, translated by Alan Sheridan.
Cambridge, 264 pp., £10.50, October 1979, 0 521 21377 0
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Shakespeare’s Tragic Sequence 
by Kenneth Muir.
Liverpool, 207 pp., £9.50, November 1979, 0 85323 184 2
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Shakespeare’s Comic Sequence 
by Kenneth Muir.
Liverpool, 207 pp., £9.50, November 1979, 0 85323 064 1
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... set out in a densely written ‘Prologue’ bristling with structuralist terminology. Frank Kermode, who admires the book, points out in his foreword that Anglo-Saxon readers are likely to find this introductory section difficult, and its manner unfamiliar. The warning is fair. Nevertheless, like Evans’s theory of ‘discrepant ...

Bananas

Claude Rawson, 18 November 1982

God’s Grace 
by Bernard Malamud.
Chatto, 223 pp., £6.95, October 1982, 0 7011 2647 7
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... of the Universe’), who ‘liked beginnings and endings’ and perhaps has read Edward Said and Frank Kermode. And in this He is also in the image of His maker, for Malamud’s book has its own academic accoutrements, including a Preface which (like that of any learned monograph) acknowledges the Center for Advanced Study in the Behavioral Sciences for ...

My Books

Ian Patterson, 4 July 2019

... beneath the CD player. A revolving bookcase on loan from the college library held more books (Frank Kermode, Norbert Elias, the New Princeton Encyclopedia of Poetry and Poetics) and had more papers stacked on top of it. Once there had been a bed in the inner room, but it had been used as a place to store books for so long that in the end the ...

Uncuddly

Christopher Tayler: Muriel Spark’s Essays, 25 September 2014

The Golden Fleece: Essays 
by Muriel Spark, edited by Penelope Jardine.
Carcanet, 226 pp., £16.99, March 2014, 978 1 84777 251 0
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... and the contrivances of the plots woven by the author and her characters. The aim, Spark told Frank Kermode, is to remind you that what you’re reading is ‘a pack of lies’ that might point to a mysterious truth; non-mysterious truths are to be treated with suspicion. Though that truth will be ‘Judaeo-Christian’ in content, John Updike got ...

Bourgeois Reveries

Julian Bell: Farmer Eliot, 3 February 2011

Romantic Moderns: English Writers, Artists and the Imagination from Virginia Woolf to John Piper 
by Alexandra Harris.
Thames and Hudson, 320 pp., £19.95, October 2010, 978 0 500 25171 3
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... political evil (Lymington). ‘Bourgeois? You can’t still use that term!’ On the contrary, Frank Kermode argued (in History and Value, 1988, advancing an approach developed more recently by Alison Light and Nicola Humble): the 1930s was ‘a brief period during which politics so polarised books and their writers – demanded so close an attention ...

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