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“... talent and the authenticity merchants who sell him, of his contempt for his audience and the self-contempt that grows with his facility at pleasing the people. A Face in the Crowd comes from 1957: a post-McCarthy production, in which the ‘sponsors’ of Lonesome Rhodes (Andy Griffith in the performance of his life) could be shown as creators and ...”

“... Robert Schumann died in an asylum near Bonn in 1856, having committed himself there two years before, following a suicidal plunge into the Rhine near his home in Düsseldorf. He had had many periods of depression and anxiety before that, and biographers have tended to regard his life as a continuous fight against the congenital mental instability to which the deaths of his sister and father when he was in his teens have also been attributed ...”

“... 11, leaving the family $8 after funeral expenses had been paid. Frost’s mother, Isabelle, took Robert and his sister east from San Francisco to Lawrence, Massachusetts, where they lived initially with her parents-in-law before Isabelle tried – with mixed results – to hold down a job as a teacher. Frost was many things before he was a poet; by the time ...”

“... Robert Wistrich’s book is about the Jews of Vienna in their golden age, Steven Beller’s about the city’s culture in its golden age. You could be forgiven for thinking that these amounted to the same thing. Not all Viennese Jews were cultural heroes, and not all Viennese cultural heroes were Jews. But the overlap is impressive and in need of explanation ...”

“... immersed in Homer, the other in the Georgics, Eclogues and Aeneid. If the turn of spirit in, say, Robert Graves and Saint-Jean Perse is radically Homeric, that in T.S. Eliot and Valéry is unmistakably Virgilian. The equations become non-linear, as it were, by virtue of the several presences of Dante. Recalling early childhood, Proust sees himself trailing ...”

“... appearance of the third volume of his own collected essays, and a short book in which Elton and Robert Fogel, doyen of American quantitative historians, debate ‘which road to the past?’ In these circumstances to go beyond a mere review to ask ‘whither Elton’ is a duty – and for some reviewers a pleasure. I approach the task differently: as a very ...”

“... Theory. A biographer of Keynes has to straddle two very different worlds, and it is one measure of Robert Skidelsky’s achievement that he writes with equal authority of both in this deeply researched and densely textured book. But what marks out his work as truly masterly is his portrayal of the interplay between the private and the public in Keynes, the ...”

“... is that many, though not all, parts of Eastern Europe have had little experience of pluralistic self-government. But the most important is the deeply corrupting effect that Communist rule has had on the individuals and societies it governed. Where the distribution of all benefits depended on favouritism, patronage, conformity and careerism, it became more ...”

“... seems to want in art, in experiencing it, is the same thing that is necessary for its creation, a self-forgetful, perfectly useless concentration.’ A tiny poem, ‘The Thin Man’, in Justice’s second collection, Night Light (1967), outlines a similar aesthetic credo: I indulge myself In rich refusals. Nothing suffices. I hone myself to This ...”

“... So irregular, appealing and – if one may say – so pitiable a figure is the Swiss writer Robert Walser (1878-1956) that he comfortably resists summary description. Even his biographer, Robert Mächler, begins by warning himself, via a feisty sentence of his subject’s: ‘No one is entitled to behave towards me as if they knew me ...”

“... state is if anything marked by an excessive gentility, as all parties seek to keep up appearances. Robert Mugabe would not have found himself shaking hands with Jacques Chirac in Paris if states were as nasty as the individuals they sometimes throw up. The poisonous Ango-French diplomacy of recent weeks is merely the exception that proves this rule. It is the ...”

“... Oddly, this means that the caricature of Englishness – the condition of being awkward, self-abasing, endlessly apologetic – is much closer to the experience of being English than you would expect from a caricature.Ian McEwan’s new novel is as English as they come. The ‘lessons’ of the title aren’t meant to be lessons in how to write an ...”

“... book editors made themselves great by ignoring this advice. The best of them – Maxwell Perkins, Robert Giroux, Joe Fox, Bennett Cerf – allowed many brilliant young things to roll about on their front lawns, and some days they even took a drink in the company of these writers, or let their dogs loose to lick their fidgety, callused hands. A sad ...”

“... none of this have surprised him? I can see him, sneering into his Terprin Hydrate, another fallen, self-lacerating ex-altar boy, third pew, centre aisle, at the Church of Eternal Damnation. A Valentine’s: Regarding the Impractibility of Our Love Evel Knievel, Robert Craig Knievel of Butte, now that one, that wild ...”

“... On Aggression. Then came The Naked Ape (Desmond Morris) and The Territorial Imperative (Robert Ardrey), which made the idea of aggression in defence of territory a household phrase as the name of an instinct which men, like other mammals, are presumed to possess, and which promised to explain their warlike behaviour and regional hatreds.* Moral ...”